Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)

Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →

Review: Camerata Cinematheque (Camerata, QPAC & Brisbane Festival)

Camerata - Queensland's Chamber Orchestra perform Stravinsky's Concerto in Re, accompanying Anthony Lucas' short film Housefly, as part of Camerata Cinematheque. Photographed by Alex Jamieson. Camerata – Queensland's Chamber Orchestra closed their 2023 mainstage season with a charming collaboration, featuring bespoke short films set to classical pieces performed live by Camerata’s string musicians. Founded in... Continue Reading →

Review: Salamander (Brisbane Festival & Northshore)

Image credit: Atmosphere Photography The headline show of Brisbane Festival 2023, Salamander brought together contemporary dancers from Brisbane's Australasian Dance Collective with guest artists and international collaborators to produce a multifaceted spectacle on an ambitiously large scale. Lead by director and choreographer Maxine Doyle and renowned designer Es Devlin, Salamander combined dance, song, poetry, and... Continue Reading →

Review: YES YES YES (La Boite Theatre)

Karin McCracken performs YES YES YES, photographed by Megan Goldman Created by Eleanor Bishop & Karin McCracken in collaboration with a group of school students in New Zealand, YES YES YES is aimed at young people and deals with the complexities of consent and respectful relationships in a way that is inclusive, compassionate, and practical.... Continue Reading →

Review: The Penelopiad (Queensland Shakespeare Ensemble)

Liliana Macarone (centre) as Penelope, with the maids, photographed by Benjamin Prindable Photography Content warning: physical and sexual stylised violence and mild coarse language. Queensland Shakespeare Ensemble brought their signature dynamism, theatricality, and musical skill to Margaret Atwood’s The Penelopiad, a contemporary retelling of Homer’s epic poems that focuses on Penelope, the wife of Odysseus,... Continue Reading →

Review: Pallas Sister Rising (theatrePUNK Co)

theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →

Create a website or blog at WordPress.com

Up ↑