Review: A Life in the Theatre (Ad Astra)

Francis McMahon and Jesse Richardson as Robert and John, photographed by Fraser Smith Content warning: Strong coarse language, reference to self harm Ad Astra have opened their 2023 season with David Mamet's comedy A Life in the Theatre, directed by Pierce Gordon with Assistant Director Caitlin Hill. A punchy two-handed comedy that focuses on the... Continue Reading →

Review: Owen Salomé and Brisbane Tango Orchestra

Owen Salomé (far right) and the Brisbane Tango Orchestra perform at the Old Museum, photographed by Alex Jamieson Brisbane Tango Orchestra presented a unique and engaging afternoon of music at the Old Museum, performing a concert of original compositions by Owen Salomé with the composer himself as a guest soloist. Salomé and the Brisbane Tango... Continue Reading →

Review: Bloom Girl (MeOhMy)

Charli Burrowes as Bloom Girl Multidisciplinary artist Charli Burrowes has christened the Talbot Theatre, part of the newly renovated Thomas Dixon Centre in West End, with her debut theatre show Bloom Girl. An 80-minute solo show written, performed, and co-produced by Burrowes and directed by Elise Lamb, Bloom Girl tackles social media, authenticity, and the... Continue Reading →

Review: Viennese Classics (Queensland Symphony Orchestra)

Queensland Symphony Orchestra, photographed by Peter Wallis Queensland Symphony Orchestra’s Viennese Classics concert drew together a series of seven works by great composers who made their names, found artistic inspiration, and created enduring works in the Austrian capital city of Vienna. With a programme including Beethoven, Strauss, Mahler, and Schubert, among others, Viennese Classics was... Continue Reading →

Review: The Boys (PIP Theatre)

Samuel Valentine, Stephen Geronimos, and Aidan O'Donnell Review of 12 October performance Content warnings: Violence, partial nudity, strong coarse language, offensive language, scenes of binge drinking/alcohol consumption, ableism, adult themes, murder, and discussion of physical and sexual violence. PIP Theatre presented Gordon Graham’s haunting suburban drama The Boys in October, directed by Cienda McNamara. Drawing... Continue Reading →

Review: Macbeth (Queensland Shakespeare Ensemble)

Rebecca Murphy and Rob Pensalfini as Lady and Lord Macbeth. Image by Benjamin Prindable Photography. Queensland Shakespeare Ensemble performed Macbeth for the first time in the company’s 21-year history, presented in the intimate performance space at the Fringe Brisbane Hub in South Brisbane. Directed by Angela Witcher, an ensemble of twelve actors tackled Shakespeare’s shortest... Continue Reading →

Review: White Rabbit, Red Rabbit (The X Collective)

Content warning: White Rabbit, Red Rabbit, contains coarse language and references to violence and suicide. In October, The X Collective presented the intriguing avant-garde theatrical experiment White Rabbit, Red Rabbit at Fate Container Studios in West End. Written by Iranian playwright Nassim Soleimanpour, its key point of interest is not in the script, but in... Continue Reading →

Review: The Normal Heart (Ad Astra)

Gregory J Wilken & Felix Jarvis as Ned Weeks & Felix Turner in Ad Astra's production of The Normal Heart. Image supplied. Content warnings: The Normal Heart contains coloured, flashing lights and blackouts, loud music, loud voices, coarse language, adult themes, and strong themes of homophobia, illness, death, and grief. Ad Astra close their 2022... Continue Reading →

Review: output (Coleman Grehan)

Coleman Grehan performs output at the Fringe Brisbane Hub. Imagery supplied. Incorporating spoken word, movement, and electronic music, Coleman Grehan's solo show output was a raw and sincere contemplation of art, creativity, and mortality, performed as part of the inaugural Fringe Brisbane programme. An award-winning theatre director and sound designer returning to theatre-making after burnout,... Continue Reading →

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