Amanda McErlean as Goneril in King Lear Monster Show!. Photographed by Naz Mulla. Content note: King Lear Monster Show! includes strong coarse language, simulated violence and drug use, adult themes, and scenes of a highly sexualised nature. The Curators’ Theatre recommends this production for ages 15+. The Curators’ Theatre have opened their 2022 season with... Continue Reading →
Review: Putting On The Mask (Haus of Beaver Productions & Anywhere Festival)
Claire Fitzpatrick presented a moving one-woman performance exploring the wide-ranging emotional impacts of loss. Seated at a small table facing the audience, Fitzpatrick performed the rituals of getting ready in the morning - brushing her hair, washing her face, applying makeup. She did not speak during the half-hour performance, which was backed by a series... Continue Reading →
Review: Oberon 11 (Inscape Assembly & Anywhere Festival)
Put on your detective hat for intergalactic immersive theatre by Inscape Assembly Oberon 11 is an intergalactic prison, verging on purgatory, which houses four prisoners: a 19th century French socialite, a potion-brewing wizard, an eye-patched captain obsessed with birds, and a young Australian man. Each century, Oberon 11’s sadistic warden would usually wipe one of... Continue Reading →
Review: Heroes and Revolutionaries (Queensland Symphony Orchestra)
Jonathan Stockhammer conducts Queensland Symphony Orchestra. Photographed by Peter Wallis. Queensland Symphony Orchestra’s first Music on Sundays concert of 2022 was an engaging and energetic performance featuring a wide selection of classical pieces. Led by guest conductor Jonathan Stockhammer and hosted by Guy Noble, Heroes and Revolutionaries drew together works of fictional heroes - Robin... Continue Reading →
Review: The Crash (Dugald Lowis and Anywhere Festival)
A poignant one act play by Dugald Lowis, following one family in the aftermath of a tragic car accident. Two teenage boys have been killed in a horrific car crash. The family in the other car survived, and The Crash focuses on what comes next for them: married couple Garry and Anne-Marie, and their adult... Continue Reading →
Review: Toy Symphony (Ad Astra)
Gregory J Wilken as Roland Henning in Toy Symphony, photographed by Christopher Sharman Content note: This production contains coarse language, adult themes, and depictions of drug use Ad Astra present Michael Gow’s award-winning play Toy Symphony, directed by Michelle Carey, a two-act drama that dives into memory and contemplates the nature and commodification of creativity.... Continue Reading →
Review: Mozart’s Clarinet (Queensland Symphony Orchestra)
Queensland Symphony Orchestra and Section Principal Clarinet play Mozart's clarinet concerto, conducted by Johannes Fritzsch. Photographed by Sam Muller. Queensland Symphony Orchestra’s Mozart’s Clarinet Maestro concert brought together an interesting and varied program including a short work from an Australian composer, the titular clarinet concerto, and Bohuslav Martinů’s rollercoaster of a first symphony. Queensland Symphony... Continue Reading →
Review: Britten Paterson Beethoven (Australian String Quartet)
Photo supplied by Australian String Quartet The Australian String Quartet delivered an exceptional evening of music at the Brisbane Powerhouse with Britten Paterson Beethoven, performing three pieces including a new commissioned work from Australian composer David Paterson. The Australian String Quartet (ASQ) was formed in 1985 and currently comprises Dale Barltrop and Francesca Hiew on... Continue Reading →
Review: Leaves of Glass (The X Collective)
Aidan O’Donnell and Nathan Kennedy as Barry and Steven in Leaves of Glass, photographed by Naz Mulla Content note: This production contains coarse language, depictions of domestic violence, and spoken references to suicide and child abuse. Following postponements earlier in the year due to COVID-19, The X Collective has now opened their riveting production of... Continue Reading →
Review: The Sopranos (Opera Queensland)
Eva Kong in The Sopranos. Image credit: Murray Summerville Opera Queensland opened their 2022 season with the world premiere of The Sopranos, a moving and visually striking new work which sought to emphasise and recontextualise the role of women and their stories within opera as an art form. Written by award-winning Brisbane poet Sarah Holland-Batt and... Continue Reading →
Review: String: an odd evening with Tyrone and Lesley
Tyrone (David Megarrity) and Lesley (Samuel Vincent), photographed by Luke Monsour, Bulimba Studios Presented for one night only at Metro Arts as part of Queensland Cabaret Festival 2022, String: an odd evening with Tyrone and Lesley saw the titular double bass and ukulele duo perform songs from their upcoming seventh album, String, for the first... Continue Reading →
Review: seven methods of killing kylie jenner (La Boite, Darlinghurst Theatre Company & Green Door Theatre Company)
Moreblessing Maturure and Iolanthe as Cleo and Kara, photographed by Teniola Komolafe La Boite have opened their 2022 season with a raucous, rapid-fire contemporary play that plunges audiences into an online realm of tweets, trolls, and tensions. Written by British playwright Jasmine Lee-Jones, seven methods of killing kylie jenner premiered in London in 2019 and... Continue Reading →