Review: The Penelopiad (Queensland Shakespeare Ensemble)

Liliana Macarone (centre) as Penelope, with the maids, photographed by Benjamin Prindable Photography Content warning: physical and sexual stylised violence and mild coarse language. Queensland Shakespeare Ensemble brought their signature dynamism, theatricality, and musical skill to Margaret Atwood’s The Penelopiad, a contemporary retelling of Homer’s epic poems that focuses on Penelope, the wife of Odysseus,... Continue Reading →

Review: Pallas Sister Rising (theatrePUNK Co)

theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →

Review: Viva Violin (Camerata)

Camerata and Catherina Lee perform Mendelssohn's Violin Concerto in E minor, photographed by Michael Marston. Camerata - Queensland's Chamber Orchestra and QPAC presented a thrilling and evocative concert of music by Mendelssohn and Rossini, Viva Violin, including an electric performance by guest soloist Catherina Lee and the premiere of a new work by Camerata’s 2023... Continue Reading →

Review: ITEM (Nakhre Crew, Dance Masala)

Image credit: Morgan Roberts Content warnings: Adult Themes, Mild Coarse Language, References to Sexual Assault, References to violence, Strobe Lighting Effects Dance Masala's contemporary dance theatre work ITEM is both a love letter to and an indictment of the multibillion-dollar institution of Bollywood film, as joyful and energetic as it is engaging and intellectually provocative.... Continue Reading →

Review: Macbeth in Concert (Opera Queensland)

Umberto Clerici conducts the Queensland Symphony Orchestra for Macbeth in Concert. Photographed by Jade Ferguson. Opera Queensland opened their 2023 season with Macbeth in Concert, an exciting and engrossing semi-staged production of Shakespeare’s timeless tragedy scored by Verdi. Directed by Laura Hansford in her mainstage directing debut, the performance featured some incredible vocal performances as... Continue Reading →

Review: The Planets (Queensland Symphony Orchestra)

Shiyeon Sung conducts Queensland Symphony Orchestra, photographed by Sarah Marshall Queensland Symphony Orchestra was joined by guest soprano Sara Macliver, The Australian Voices, and trailblazing South Korean conductor Shiyeon Sung for this concert, showcasing works by Wagner and Golijov alongside Gustav Holst’s celestial suite The Planets. The concert began with Richard Wagner's overture to his... Continue Reading →

Review: Top Girls (Ad Astra)

Written by Caryl Churchill and first performed in 1982, Top Girls follows the lead character of Marlene as she strives for success in a male-dominated workplace. Ad Astra’s production is directed by Mikayla Hosking, with assistant direction by Samara Louise, and stars an excellent ensemble of character actors, led by Aurelie Roque as Marlene. In... Continue Reading →

Review: Lucie In the Sky (Australasian Dance Collective)

Chimene Steele-Prior and Lucie, photographed by David Kelly Warning: Drones, strobe lighting, haze and occasional high sound pressure levels. Australasian Dance Collective brought dancers and drones together as onstage equals with their new contemporary dance work Lucie In the Sky, which made its world premiere at the QPAC Playhouse in May. Based in Brisbane, ADC continues... Continue Reading →

Review: The Father (hARTSpace & PIP Theatre)

Tony Nixon and Janelle Bailey as André and Anne (front), Ophelia Novak as Laura (back). Image credit: Kris Anderson Content Warning: Depictions of dementia, emotional distress, themes of aging and mortality, family conflict, and sensitive language and scene depicting elder abuse. Heartbreaking and beautifully crafted, The Father is a story of love, loss, and caretaking... Continue Reading →

Review: The Turquoise Elephant (Observatory Theatre)

Amanda McErlean and Rebecca Day as Olympia and Basra Macquarie Content warnings: Frequent mentions of climate change, coarse language, sexual references, and use of strobe lighting. Observatory Theatre has opened its 2023 season with a darkly funny political farce about the climate crisis, set in a collapsing world that feels closer every day. Melbourne has... Continue Reading →

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