QSO Conductor Laureate Johannes Fritzsch and pianist Daniel de Borah. Photographed by Peter Wallis. It was a delight to be able to return QPAC’s Concert Hall on Friday night for Queensland Symphony Orchestra’s stirring final Maestro concert of 2020 - Beethoven’s Emperor. As well as being the 2020 season finale, this concert marks the end... Continue Reading →
Review: Begotten: The Radio Play (Minola Theatre)
Begotten: The Radio Play Listen online at the Minola Theatre website Content and trigger warning: Please note that this production contains, and therefore this review may refer to, domestic violence and homicide, mature themes, and coarse language. Adapted from a one-woman play into a radio drama during the COVID-19 lockdown, Minola Theatre is now streaming... Continue Reading →
Review: After Hours: Singalong (Big Fork Theatre)
Big Fork Theatre present late-night laughs and the chance to bust out your karaoke favourites with After Hours: Singalong as part of Brisbane Comedy Festival - an improvised sketch show based on a set list of classic belters. The audience sang along with enthusiasm to tunes from Grease!, Wheatus, Creedence Clearwater Revival, and The Wiggles,... Continue Reading →
Review: INDEX Walking Tour (Supercell Festival of Contemporary Dance)
Supercell Festival of Contemporary Dance’s Independent Dance Exchange (INDEX) is a platform to support the development and sharing of new dance works in development by local artists, and the INDEX walking tour was a unique and enjoyable way to experience a diverse series of four dance works in one evening, each presented in a different... Continue Reading →
Review: You Don’t Know Jack + Kitty (Gogi Dance Collective)
The bowling green becomes a battlefield in Gold Coast based Gogi Dance Collective’s You Don’t Know Jack + Kitty, an homage to lawn bowls and its role in Australian culture and community, performed at New Farm Bowls Club as part of the Supercell Festival of Contemporary Dance. The choreography used the whole space of the... Continue Reading →
Review: Mine! (Australian Dance Party)
Canberra-based Australian Dance Party performed Mine! in Queen Street Mall as part of Supercell Festival of Contemporary Dance, an engaging and visually exciting performance piece dealing with the proposed new mega-mines in Queensland. Originally commissioned for National Science Week ACT, Mine! Five dancers in brightly coloured jumpsuits and carrying boxes of Lego performed the work,... Continue Reading →
Review: The Midsummer Carnival (Brisbane Immersive Ensemble)
Brisbane Immersive Ensemble have turned their expertise for site-specific performance to The Stores building at Brisbane Powerhouse with The Midsummer Carnival, transforming it into a mystical forest and carnival fairground to serve as the backdrop for their rendition of Shakespeare’s comedy A Midsummer Night’s Dream. A Midsummer Night’s Dream focuses on four Athenian lovers -... Continue Reading →
Review: Love Triangle: An evening of one-act plays (Minola Theatre and Corporation Theatre)
Minola Theatre and Corporation Theatre presented Love Triangle: An evening of one-act plays for one performance only at the Ron Hurley Theatre on January 25, showcasing an ensemble of local talent across three pieces of theatre written in 1913, 2008, and 2019. Helmed by the directors of the two theatre companies, Love Triangle explored themes... Continue Reading →
Review: KURIOS – Cabinet of Curiosities (Cirque du Soleil)
Cirque du Soleil’s acclaimed production KURIOS – Cabinet of Curiosities was an evening of excitement, enchantment, and unexpected marvels under the Big Top. It was all of the gasp-inducing, awe-inspiring circus I had been told to expect from this world-class company, delivering a joyous sense of wonder and allowing for absolute suspension of disbelief as the... Continue Reading →
Review: The Tragedy of Socrates (Queensland Shakespeare Ensemble)
Queensland Shakespeare Ensemble continued their commitment to supporting new Queensland works of theatre in presenting a staged reading of The Tragedy of Socrates, a play in development by playwright, musician, and QSE Core Ensemble actor Silvan Rus. Five years after the surrender of ancient Athens in the cataclysmic Peloponnesian War, Athenian philosopher Socrates is charged... Continue Reading →
Review: Timeless (Queensland Symphony Orchestra)
Queensland Symphony Orchestra farewelled outgoing Music Director Alondra de la Parra and 2019 Artist in Residence Paul Lewis in a spectacular concert that showcased the best of both. In an exciting first for Queensland Symphony Orchestra, the concert was also livestreamed globally via Facebook and to venues across the state, reaching a potential audience of... Continue Reading →
Review: The 8 Reindeer Monologues (The Drama Merchant)
Content and trigger warning: This production contains or refers to, and therefore this review refers to, sexual harassment and abuse, rape, paedophilia, homophobic and ableist slurs, mature themes, and coarse language. The Drama Merchant presents The 8 Reindeer Monologues, a dark Christmas drama with moments of humour by Jeff Goode. The play is presented in... Continue Reading →