Put on your detective hat for intergalactic immersive theatre by Inscape Assembly Oberon 11 is an intergalactic prison, verging on purgatory, which houses four prisoners: a 19th century French socialite, a potion-brewing wizard, an eye-patched captain obsessed with birds, and a young Australian man. Each century, Oberon 11’s sadistic warden would usually wipe one of... Continue Reading →
Review: The Crash (Dugald Lowis and Anywhere Festival)
A poignant one act play by Dugald Lowis, following one family in the aftermath of a tragic car accident. Two teenage boys have been killed in a horrific car crash. The family in the other car survived, and The Crash focuses on what comes next for them: married couple Garry and Anne-Marie, and their adult... Continue Reading →
Review: Mental Illness Is Not A Crime (Claire Fitzpatrick)
Review of May 7 performance. Claire Fitzpatrick facilitated a calming space for sensory exploration with her interactive experience Mental Illness Is Not A Crime. Mental Illness Is Not A Crime was not a performance in a traditional sense but more of a workshop or an interactive space focused on ASMR. Autonomous sensory meridian response (ASMR) is a... Continue Reading →
Review: Good Talk (Moontan Productions)
Review of May 7 performance. A fast-moving two-hander, Good Talk examined the comfortable rhythms and routines of a long-term relationship and the ways that we communicate in silences as well as words. High school sweethearts Jiā lǐ and Erin have returned to their hometown for their ten-year reunion. Alone with each other in their AirBnB as a... Continue Reading →
What’s On: Mental Illness Is Not A Crime (Haus of Beaver Productions)
Mental Illness Is Not A Crime 7-8 May 2021 Elements Collective, Fortitude Valley Please note that this production is for patrons aged 18+ Award-winning speculative fiction author and performance artist Claire Fitzpatrick debuts her live interactive show at Anywhere Festival 2021, presented by Haus of Beaver Productions. Mental Illness Is Not A Crime is a... Continue Reading →
2019 in Review – Performance Highlights
A rainbow of memories from this year - I saw over 60 shows in 2019, from big openings to backyard performances, through comedy, musicals, dance, theatre, music, and (for the first time) opera. It's been an incredible year in Brisbane performing arts and the calibre of shows has been high, so this list was a... Continue Reading →
Review: Flood (Brie Jurss & Emma Lamberton)
Put on some bug repellent, gather around the campfire, and join in this grippingly uncomfortable one-act play by Chris Isaacs. Six friends from Perth are reunited for the ultimate camping trip – two weeks in the bush, in the middle of nowhere, next to a pristine lake. But after less than twenty-four hours things take... Continue Reading →
Review: The Lady Diamantina Bowen Tour (Talk of the Town Storytelling Services)
Be guided through the life and times of the first residents of Old Government House by the gracious Lady Diamantina Bowen herself. History comes to life on this tour as the wife of Queensland's first Governor makes a return to the grounds and interior of Queensland’s first Government House. She guided us through the rooms... Continue Reading →
Review: Hold My Beer (Half Hitch)
Three circus artists and two musicians walk into a bar…and they put on a great show! Exploring the ups and downs of a memorable (or not, depending on how much you drank) night of drinking and debauchery, Hold My Beer was part circus show, part musical comedy, and entirely entertaining. The performance featured a medley... Continue Reading →
Review: Highway of Lost Hearts (Minola Theatre)
A dynamic one-woman show about reclaiming ourselves from loss. Mary Anne Butler’s play Highway of Lost Hearts follows Mot on her road trip through the Australian outback, from Katherine to Dubbo, driving the 4,500kms with only her dog and her van. The audience is privy to her inner monologue on this journey as she seeks... Continue Reading →
Review: The Telefon (Lightning Bolt Creative)
An uncomfortably unfunny and unnecessarily foul endurance exercise for the audience. If you've ever seen the workings of an unsupervised grade eight drama class, you'll have an idea of what happened on The Telefon. It was an ambitious concept - a livestreamed performance experienced by the audience in the comfort of their own home, interacting... Continue Reading →
Review: Everyone’s Leaving Brisbane
Taylor and Rosa take the audience on a hilarious journey through Brisbane’s cultural icons, from the majestic brown snake of the Brisbane River to the humble ibis, as they lament the loss of their friends to ‘cultural capitals’ like Melbourne and London. Another night, another goodbye party for a friend – Taylor and Rosa are... Continue Reading →