Louise Brehmer, Shakira Clanton, Phoebe Grainer, Chenoa Deemal and Anna McMahon. Photographed by Farley Ward. Content note: Tiddas includes coarse language, sexual references, themes of pregnancy / infertility, grief and loss, marriage breakdown, depictions of abuse (alcohol/emotional) and discussions with or containing offensive/derogatory language. La Boite close their 2022 season with the joyful, jacaranda-hued play... Continue Reading →
Review, Slow Boat (Brisbane Festival, Brisbane Powerhouse & Playlab Theatre)
Silvan Rus, Julian Wong, Ming Yang Lim, Jonathan Chan, and Egan Sun-Bin, photographed by Stephen Henry. Content note: Slow Boat includes low level coarse language, depictions of suicide, depictions of war, racial slurs, references to violence, haze/smoke effects, and loud sounds. Anna Yen’s Slow Boat has made its world premiere at the Brisbane Powerhouse, directed... Continue Reading →
Review: The Rover (Queensland Shakespeare Ensemble)
Dudley Powell as Willmore and Matt Gaffney as Don Antonio. Image credit: Benjamin Prindable Photography. Content note: The Rover includes mature themes, including sexual assault and simulated violence. Mischief, masks, and mistaken identities abound in Queensland Shakespeare Ensemble's production of Aphra Behn’s The Rover (or, The Banish’d Cavaliers), directed by Rebecca Murphy. Playing out at... Continue Reading →
Review: Letters to Lindy (Villanova Players)
Jane Binstead as Lindy Chamberlain-Creighton, photographed by Christopher Sharman Content note: Letters to Lindy contains coarse language and mature themes, including references to death and violence. In 1980, nine-week-old Azaria Chamberlain died when she was taken from the family tent by a dingo while camping at Uluru; her disappearance, and the phrase “a dingo stole... Continue Reading →
Review: Cruel Intentions: The 90’s Musical (David Venn Enterprises)
The cast of Cruel Intentions: The 90's Musical, photographed by Nicole Cleary. Content note: Cruel Intentions: The 90’s Musical includes strobe lighting, haze, smoke, coarse language, and adult themes. Patrons must be 16 years or older to attend, and patrons under 18 years of age must be accompanied by a parent or guardian. A jukebox... Continue Reading →
Review: Ruby Moon (Ad Astra)
Gary Farmer-Trickett and Sandra Harman, photographed by Christopher Sharman Photography Content note: Ruby Moon includes sexual references, adult themes, and simulated violence. Ad Astra present Matt Cameron's Australian gothic suburban thriller Ruby Moon, directed by Susan O'Toole-Cridland and starring Sandra Harman and Gary Farmer-Trickett as distraught parents Ray and Sylvie Moon. Written in 2003 and... Continue Reading →
Review: and now we wait (Villanova Players)
Beth Allen and Ashleigh Horsfield, photographed by Christopher Sharman Photography Content note: and now we wait includes mature themes, including references to death and violence. Villanova Players presented Stephanie Clark's dark drama and now we wait at the Ron Hurley Theatre as part of their Villanova Start-Ups initiative, which is designed to help young people... Continue Reading →
Review: THREE 2.0 (Australasian Dance Collective)
Australasian Dance Collective artists perform Cass Mortimer Eipper’s Limbic. Photographed by David Kelly. After the season was postponed earlier in the year due to flood damage at QPAC, Australasian Dance Collective opened their second iteration of THREE at the Brisbane Powerhouse, a triple bill of new works from three different choreographers, all created in collaboration... Continue Reading →
Review: The Ugly One (AllEntertainment)
Cast of The Ugly One David Gaffney (top), Ellie Waddingham, David O’Donoghoe, and Jai Selva. Image supplied. AllEntertainment presented German playwright Marius von Mayenburg's social satire The Ugly One, translated by Maja Zade, at Brisbane’s newest theatre venue. Fast-paced and funny, the one-act play was delivered with earnest absurdity by the cast of four, directed... Continue Reading →
Review: Oliver! (Savoyards Musical Comedy Society Inc)
Hannah Davies and Michael Ware as Mrs and Mr Sowerberry with Jeremiah Rees as Oliver. Photographed by Sharyn Hall. Content note: Oliver! contains mature and adult themes, depictions of physical violence, strobe and haze smoke effects, and loud noises. Savoyards has returned to the Iona Performing Arts Centre stage with their production of Lionel Bart’s... Continue Reading →
Review: Brilliant Traces (Ad Astra)
Imagery supplied by Ad Astra Content note: Brilliant Traces includes mature themes and simulated violence. Ad Astra have transformed their black box theatre in Fortitude Valley into an Alaskan cabin for Cindy Lou Johnson’s Brilliant Traces. Directed by Fiona Kennedy, with production consultation by Leonard Meenach, this is an intense and engaging two-hander exploring love... Continue Reading →
Review: Control (Observatory Theatre)
The cast of Control, photographed by Geoff Lawrence: Creative Futures Photography. Content note: Control includes coarse language, mature themes, and simulated violence, as well as flashing lights and loud noises. Keziah Warner’s dystopian science fiction triptych has made its Queensland premiere at the Queensland Multicultural Centre, presented by Observatory Theatre. Originally commissioned by Red Stitch... Continue Reading →