Beth Allen and Ashleigh Horsfield, photographed by Christopher Sharman Photography Content note: and now we wait includes mature themes, including references to death and violence. Villanova Players presented Stephanie Clark's dark drama and now we wait at the Ron Hurley Theatre as part of their Villanova Start-Ups initiative, which is designed to help young people... Continue Reading →
Review: THREE 2.0 (Australasian Dance Collective)
Australasian Dance Collective artists perform Cass Mortimer Eipper’s Limbic. Photographed by David Kelly. After the season was postponed earlier in the year due to flood damage at QPAC, Australasian Dance Collective opened their second iteration of THREE at the Brisbane Powerhouse, a triple bill of new works from three different choreographers, all created in collaboration... Continue Reading →
Review: The Ugly One (AllEntertainment)
Cast of The Ugly One David Gaffney (top), Ellie Waddingham, David O’Donoghoe, and Jai Selva. Image supplied. AllEntertainment presented German playwright Marius von Mayenburg's social satire The Ugly One, translated by Maja Zade, at Brisbane’s newest theatre venue. Fast-paced and funny, the one-act play was delivered with earnest absurdity by the cast of four, directed... Continue Reading →
Review: Oliver! (Savoyards Musical Comedy Society Inc)
Hannah Davies and Michael Ware as Mrs and Mr Sowerberry with Jeremiah Rees as Oliver. Photographed by Sharyn Hall. Content note: Oliver! contains mature and adult themes, depictions of physical violence, strobe and haze smoke effects, and loud noises. Savoyards has returned to the Iona Performing Arts Centre stage with their production of Lionel Bart’s... Continue Reading →
Review: Brilliant Traces (Ad Astra)
Imagery supplied by Ad Astra Content note: Brilliant Traces includes mature themes and simulated violence. Ad Astra have transformed their black box theatre in Fortitude Valley into an Alaskan cabin for Cindy Lou Johnson’s Brilliant Traces. Directed by Fiona Kennedy, with production consultation by Leonard Meenach, this is an intense and engaging two-hander exploring love... Continue Reading →
Review: Control (Observatory Theatre)
The cast of Control, photographed by Geoff Lawrence: Creative Futures Photography. Content note: Control includes coarse language, mature themes, and simulated violence, as well as flashing lights and loud noises. Keziah Warner’s dystopian science fiction triptych has made its Queensland premiere at the Queensland Multicultural Centre, presented by Observatory Theatre. Originally commissioned by Red Stitch... Continue Reading →
Review: 9 to 5 The Musical (John Frost for Crossroads Live, Suzanne Jones and The Ambassador Theatre Group)
Casey Donovan, Marina Prior, Erin Clare and The Ensemble © David Hooley Dolly Parton’s 9 to 5 The Musical has arrived at QPAC’s Lyric Theatre, and it is a fast-paced and surprisingly risqué night out. Inspired by the hit 1980 film of the same name, starring Dolly Parton, Lily Tomlin, and Jane Fonda, 9 to... Continue Reading →
Review: Master of Delusions: False Profits (Master of Delusions and Anywhere Festival)
A humorous hour of misdirection, miracles, and magic. Aaron Ducker brought together magic and stand-up comedy to present Master of Delusions: False Profits, an hour-long show that focused on debunking conmen and charlatans through the ages, all while performing a series of impressive magic tricks. From Jim Jones and John Edward to Queen Elizabeth I’s... Continue Reading →
Review: King Lear Monster Show! (The Curators’ Theatre)
Amanda McErlean as Goneril in King Lear Monster Show!. Photographed by Naz Mulla. Content note: King Lear Monster Show! includes strong coarse language, simulated violence and drug use, adult themes, and scenes of a highly sexualised nature. The Curators’ Theatre recommends this production for ages 15+. The Curators’ Theatre have opened their 2022 season with... Continue Reading →
Review: Putting On The Mask (Haus of Beaver Productions & Anywhere Festival)
Claire Fitzpatrick presented a moving one-woman performance exploring the wide-ranging emotional impacts of loss. Seated at a small table facing the audience, Fitzpatrick performed the rituals of getting ready in the morning - brushing her hair, washing her face, applying makeup. She did not speak during the half-hour performance, which was backed by a series... Continue Reading →
Review: Heroes and Revolutionaries (Queensland Symphony Orchestra)
Jonathan Stockhammer conducts Queensland Symphony Orchestra. Photographed by Peter Wallis. Queensland Symphony Orchestra’s first Music on Sundays concert of 2022 was an engaging and energetic performance featuring a wide selection of classical pieces. Led by guest conductor Jonathan Stockhammer and hosted by Guy Noble, Heroes and Revolutionaries drew together works of fictional heroes - Robin... Continue Reading →
Review: The Crash (Dugald Lowis and Anywhere Festival)
A poignant one act play by Dugald Lowis, following one family in the aftermath of a tragic car accident. Two teenage boys have been killed in a horrific car crash. The family in the other car survived, and The Crash focuses on what comes next for them: married couple Garry and Anne-Marie, and their adult... Continue Reading →