Melbourne-based comedian Nick Robertson brought his stand-up show Leave to Enter to his hometown of Brisbane for one night only, performed in the Good Chat Comedy Club on Petrie Terrace. Making his solo stand-up debut, Leave to Enter was driven by the story of Robertson being refused entry to the United Kingdom; a paperwork issue... Continue Reading →
Review: Ebenezer (Brisbane Arts Theatre)
John Grey as Ebenezer Scrooge & Dominic Tennison as the ghost of Jacob Marley Brisbane Arts Theatre present a hearty new retelling of Charles Dickens’ A Christmas Carol, adapted and directed by Tallulah M.E. Grey, with John Grey, who also plays the lead role. We were guided to our seats by an usher holding a... Continue Reading →
Review: Talking Heads: A Lady of Letters & A Woman of No Importance (Hummingbird Theatre Company)
Julia Johnson as Irene Ruddock in A Lady of Letters, photographed by Naz Mulla Hummingbird Theatre Company presented two of Alan Bennett's Talking Heads monologues at the Latvian Hall, Woolloongabba, for a limited season, starring Julia Johnson and Amanda McErlean and directed and designed by Rhys Becks. The Talking Heads are a series of dramatic... Continue Reading →
Review: The History of the Devil (Polymorphic Productions)
Tiana Varcoe as Pia Shim and Connor Scoble as The Devil, photographed by Emma Stratton Content warnings: coarse/offensive language, horror, mature and controversial themes, morbid humor, references and depictions of sexual assault, religious themes, themes of trauma, violence, haze/smoke effects, and loud noises. Polymorphic Productions presents Clive Barker’s marathon play The History of the Devil... Continue Reading →
Review: The Amateurs (Ad Astra)
The cast of The Amateurs at Ad Astra, photographed by Christopher Sharman Life, death, art, and the search for purpose twist together in Jordan Harrison's compelling tragic comedy The Amateurs, directed by Susan O’Toole Cridland and superbly performed at Ad Astra. Written by American playwright Jordan Harrison, The Amateurs premiered off-Broadway in 2018 and made... Continue Reading →
Review: Triple Threat: A Cabaret (Laura Fois Productions)
(L to R) Renee Kwok, Laura Fois, and Ro van Rensburg perform Triple Threat Triple Threat brings together three sensational singers for a charming cabaret about connection and communication across cultural and linguistic differences. Performed as part of PIP Theatre’s inaugural Toucan Club, a month-long festival of cabaret and live arts at their Milton theatre,... Continue Reading →
Review: PASHUN (theatrePUNK Co)
Naticia Slade, Zara Chandler, and Cullyn Beckton as Emma, Tiff, and Kai Presented by theatrePUNK Co at BackDock Arts, Harrison Mills' PASHUN was an absurd and amusing theatre piece about a group of young people navigating love, sex, friends, and relationships. Directed by Joshua Price, with dramaturgy by El Waddingham, PASHUN used a university poetry... Continue Reading →
Review: IRL (La Boite Theatre)
The cast of IRL, photographed by Morgan Roberts Content warnings: coarse language and sexual references. Recommended for ages 15+. La Boite closes 2023 with the world premiere of Lewis Treston’s fan-tastic romantic comedy IRL, the third and final work in their season of world premieres by Australian playwrights. Directed by Sanja Simić, who has worked... Continue Reading →
Review: The Bed Party (PIP Theatre)
The cast of The Bed Party at PIP Theatre, photographed by Claudio Kirac Set in one sharehouse bedroom over the course of a weekend, new Australian play The Bed Party follows four housemates (and one prodigal ex-housemate) as they navigate love, sex, and relationships with support and solidarity. Written and directed by Sophia Davidson Gluyas,... Continue Reading →
Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)
Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →
Review: Camerata Cinematheque (Camerata, QPAC & Brisbane Festival)
Camerata - Queensland's Chamber Orchestra perform Stravinsky's Concerto in Re, accompanying Anthony Lucas' short film Housefly, as part of Camerata Cinematheque. Photographed by Alex Jamieson. Camerata – Queensland's Chamber Orchestra closed their 2023 mainstage season with a charming collaboration, featuring bespoke short films set to classical pieces performed live by Camerata’s string musicians. Founded in... Continue Reading →
Review: The Music Man (Savoyards Musical Comedy Society)
The cast of The Music Man (centre - David West as Harold Hill), photographed by Sharyn Hall Savoyards finish their 2023 season with a lively and colourful production of award-winning classic musical The Music Man at the Iona Performing Arts Centre. Savoyards last produced this musical 40 years ago and four cast members from that... Continue Reading →