The cast of The Amateurs at Ad Astra, photographed by Christopher Sharman Life, death, art, and the search for purpose twist together in Jordan Harrison's compelling tragic comedy The Amateurs, directed by Susan O’Toole Cridland and superbly performed at Ad Astra. Written by American playwright Jordan Harrison, The Amateurs premiered off-Broadway in 2018 and made... Continue Reading →
Review: Triple Threat: A Cabaret (Laura Fois Productions)
(L to R) Renee Kwok, Laura Fois, and Ro van Rensburg perform Triple Threat Triple Threat brings together three sensational singers for a charming cabaret about connection and communication across cultural and linguistic differences. Performed as part of PIP Theatre’s inaugural Toucan Club, a month-long festival of cabaret and live arts at their Milton theatre,... Continue Reading →
Review: PASHUN (theatrePUNK Co)
Naticia Slade, Zara Chandler, and Cullyn Beckton as Emma, Tiff, and Kai Presented by theatrePUNK Co at BackDock Arts, Harrison Mills' PASHUN was an absurd and amusing theatre piece about a group of young people navigating love, sex, friends, and relationships. Directed by Joshua Price, with dramaturgy by El Waddingham, PASHUN used a university poetry... Continue Reading →
Review: IRL (La Boite Theatre)
The cast of IRL, photographed by Morgan Roberts Content warnings: coarse language and sexual references. Recommended for ages 15+. La Boite closes 2023 with the world premiere of Lewis Treston’s fan-tastic romantic comedy IRL, the third and final work in their season of world premieres by Australian playwrights. Directed by Sanja Simić, who has worked... Continue Reading →
Review: The Bed Party (PIP Theatre)
The cast of The Bed Party at PIP Theatre, photographed by Claudio Kirac Set in one sharehouse bedroom over the course of a weekend, new Australian play The Bed Party follows four housemates (and one prodigal ex-housemate) as they navigate love, sex, and relationships with support and solidarity. Written and directed by Sophia Davidson Gluyas,... Continue Reading →
Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)
Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →
Review: Camerata Cinematheque (Camerata, QPAC & Brisbane Festival)
Camerata - Queensland's Chamber Orchestra perform Stravinsky's Concerto in Re, accompanying Anthony Lucas' short film Housefly, as part of Camerata Cinematheque. Photographed by Alex Jamieson. Camerata – Queensland's Chamber Orchestra closed their 2023 mainstage season with a charming collaboration, featuring bespoke short films set to classical pieces performed live by Camerata’s string musicians. Founded in... Continue Reading →
Review: The Music Man (Savoyards Musical Comedy Society)
The cast of The Music Man (centre - David West as Harold Hill), photographed by Sharyn Hall Savoyards finish their 2023 season with a lively and colourful production of award-winning classic musical The Music Man at the Iona Performing Arts Centre. Savoyards last produced this musical 40 years ago and four cast members from that... Continue Reading →
Review: Kuramanunya (Karul Projects, Metro Arts & Brisbane Festival)
Thomas E.S. Kelly performs Kuramanunya, photographed by Simon Woods Review of preview performance, September 13 Content warning: Adult Themes, Themes of Death and Suicide, Themes of Violence and Genocide, Haze / smoke effects, Strobe Lighting Effects. Recommended for ages 15+. Karul Projects' new dance theatre work, Kuramanunya, made its world premiere at Metro Arts as... Continue Reading →
Review: Stunt Double (The Farm, Screen Queensland, Brisbane Powerhouse & Brisbane Festival)
Content warnings: coarse language, partial nudity, violence, adult themes and sexual references, the use of haze and strobe effects. The Farm flips the script on what a dance theatre work can be with their new production. Stunt Double is packed with action, humour, and unexpected turns as it celebrates the unsung heroes of the Australian... Continue Reading →
Review: Top Girls (Ad Astra)
Written by Caryl Churchill and first performed in 1982, Top Girls follows the lead character of Marlene as she strives for success in a male-dominated workplace. Ad Astra’s production is directed by Mikayla Hosking, with assistant direction by Samara Louise, and stars an excellent ensemble of character actors, led by Aurelie Roque as Marlene. In... Continue Reading →
Review: The Father (hARTSpace & PIP Theatre)
Tony Nixon and Janelle Bailey as André and Anne (front), Ophelia Novak as Laura (back). Image credit: Kris Anderson Content Warning: Depictions of dementia, emotional distress, themes of aging and mortality, family conflict, and sensitive language and scene depicting elder abuse. Heartbreaking and beautifully crafted, The Father is a story of love, loss, and caretaking... Continue Reading →