Moreblessing Maturure and Iolanthe as Cleo and Kara, photographed by Teniola Komolafe La Boite have opened their 2022 season with a raucous, rapid-fire contemporary play that plunges audiences into an online realm of tweets, trolls, and tensions. Written by British playwright Jasmine Lee-Jones, seven methods of killing kylie jenner premiered in London in 2019 and... Continue Reading →
Review: White Pearl (Queensland Theatre)
Imagery by Phil Erbacher Gaslight, Gatekeep, Girlboss. Anchuli Felicia King’s corporate satire has opened at Queensland Theatre and sets out to tackle a broad range of issues, from intracultural racism to start-up culture and the cosmetics industry. Directed by Priscilla Jackman, White Pearl follows the aftermath of an ad that goes viral for all the... Continue Reading →
Review: Sex, Lies & Betrayal: Memoirs of a Hollywood Star (JTM Productions)
Review of May 9 performance by Elise Lawrence. Written and directed by Margaret Fisk, Sex, Lies & Betrayal: Memoirs of a Hollywood Star was a glamourous and salacious one-woman cabaret based on the true stories of a 1940’s Hollywood legend (although, the jury is still out on exactly who that is). Beautifully coiffed and with a drink... Continue Reading →
Review: Meat Mirror (Jay Younger & Lisa O’Neill)
Review of May 9 performance by Elise Lawrence. A ten-minute performance art piece in the Mappin’s Nursery Share House, Meat Mirror used video projections and physical theatre to blur the lines between beauty and horror. A collaboration between Jay Younger and Lisa O’Neill, Meat Mirror is a condemnation of social media and the normalisation of cosmetic surgery to achieve... Continue Reading →
Review: This Little World (The Giddy Round Theatre)
Review of May 8 performance. Owen Corey delivered an impressive and moving performance as King Richard II, direct from the USA to your device. The Giddy Round Theatre presented a condensed production of Shakespeare’s Richard II as a polished one-man show, streamed live on YouTube from their converted rowhouse in West Philadelphia. Speaking from his prison cell... Continue Reading →
Review: Come From Away (Newtheatricals & Junkyard Dog Productions)
Original Australian company, photographed by Jeff Busby Tony and Olivier award-winning musical Come From Away has opened in Brisbane, bringing the packed Lyric Theatre to its feet for a spirited standing ovation. Come From Away is an upbeat and uplifting musical that reminds us of the best bits of our humanity. Directed by Christopher Ashley and choreographed... Continue Reading →
Review: Bigger & Blacker (La Boite Theatre, Sydney Opera House & W Lance Reynolds)
Photography by Morgan Roberts Steven Oliver’s whirlwind cabaret Bigger & Blacker is sexy, irreverent, and hysterical, as expected, but also deeply personal and moving as he sings about love, loss, and life. Photography by Morgan Roberts Steven Oliver cements himself further as a man of a million talents with this world premiere, a cabaret show... Continue Reading →
Review: Lorelei (Opera Queensland)
Image credit: Jade Ferguson @visualpoetssociety. Provided by Opera Queensland. Content and trigger warning: This production contains strong coarse language and adult themes. After being postponed for a year due to COVID-19, Lorelei has finally made it to the QPAC Concert Hall and it is a witty, provocative, political work of operatic cabaret that turns a... Continue Reading →
Review: The Revolutionists (The Curators’ Theatre)
Lauren Roche as Charlotte Corday in The Revolutionists. Images: NAZ MULLA. Content and trigger warning: This production contains coarse language, and spoken references to historical violence. The Curators’ Theatre have opened their 2021 season with the Australian premiere of The Revolutionists by American playwright Lauren Gunderson. Directed and designed by Michael Beh, this metatheatrical dramatic... Continue Reading →
Review: Beethoven’s Emperor (Queensland Symphony Orchestra)
QSO Conductor Laureate Johannes Fritzsch and pianist Daniel de Borah. Photographed by Peter Wallis. It was a delight to be able to return QPAC’s Concert Hall on Friday night for Queensland Symphony Orchestra’s stirring final Maestro concert of 2020 - Beethoven’s Emperor. As well as being the 2020 season finale, this concert marks the end... Continue Reading →
Review: You Don’t Know Jack + Kitty (Gogi Dance Collective)
The bowling green becomes a battlefield in Gold Coast based Gogi Dance Collective’s You Don’t Know Jack + Kitty, an homage to lawn bowls and its role in Australian culture and community, performed at New Farm Bowls Club as part of the Supercell Festival of Contemporary Dance. The choreography used the whole space of the... Continue Reading →
Review: Matrix (Expressions Dance Company & Beijing Dance / LDTX)
Matrix is a collaboration between Expressions Dance Company and Beijing Dance / LDTX, an enthralling double bill of contemporary dance works by acclaimed choreographers Stephanie Lake and MA Bo. Created in only five weeks during a creative development in China, Matrix is performed by the twenty dancers of the two company ensembles, including guest dancer... Continue Reading →