Review: The History of the Devil (Polymorphic Productions)

Tiana Varcoe as Pia Shim and Connor Scoble as The Devil, photographed by Emma Stratton Content warnings: coarse/offensive language, horror, mature and controversial themes, morbid humor, references and depictions of sexual assault, religious themes, themes of trauma, violence, haze/smoke effects, and loud noises. Polymorphic Productions presents Clive Barker’s marathon play The History of the Devil... Continue Reading →

Review: The Amateurs (Ad Astra)

The cast of The Amateurs at Ad Astra, photographed by Christopher Sharman Life, death, art, and the search for purpose twist together in Jordan Harrison's compelling tragic comedy The Amateurs, directed by Susan O’Toole Cridland and superbly performed at Ad Astra. Written by American playwright Jordan Harrison, The Amateurs premiered off-Broadway in 2018 and made... Continue Reading →

Review: GODZ (Head First Acrobats)

Melbourne-based performance company Head First Acrobats have brought their flagship show GODZ to the Spiegeltent at Wynnum Fringe, presenting a cheeky and high-energy adults-only acrobatics show grounded in Greek mythology. GODZ showcases the superhuman talents of four incredible acrobats as the god Apollo (Head First Acrobats company director and lead performer Thomas Gorham), Cupid, God... Continue Reading →

Review: PASHUN (theatrePUNK Co)

Naticia Slade, Zara Chandler, and Cullyn Beckton as Emma, Tiff, and Kai Presented by theatrePUNK Co at BackDock Arts, Harrison Mills' PASHUN was an absurd and amusing theatre piece about a group of young people navigating love, sex, friends, and relationships. Directed by Joshua Price, with dramaturgy by El Waddingham, PASHUN used a university poetry... Continue Reading →

Review: Halcyon (Australasian Dance Collective)

Lily Potger, photographed by David Kelly Australasian Dance Collective (ADC) has premiered Halcyon, a new contemporary dance work by Jack Lister, at the Brisbane Powerhouse for a limited season. Seeking to immerse the audience in a stylistic realm of intrigue and glamour, Halcyon drew inspiration from crime noir and the golden age of Hollywood and... Continue Reading →

Review: IRL (La Boite Theatre)

The cast of IRL, photographed by Morgan Roberts Content warnings: coarse language and sexual references. Recommended for ages 15+. La Boite closes 2023 with the world premiere of Lewis Treston’s fan-tastic romantic comedy IRL, the third and final work in their season of world premieres by Australian playwrights. Directed by Sanja Simić, who has worked... Continue Reading →

Review: The Bed Party (PIP Theatre)

The cast of The Bed Party at PIP Theatre, photographed by Claudio Kirac Set in one sharehouse bedroom over the course of a weekend, new Australian play The Bed Party follows four housemates (and one prodigal ex-housemate) as they navigate love, sex, and relationships with support and solidarity. Written and directed by Sophia Davidson Gluyas,... Continue Reading →

Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)

Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →

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