Image credit: Stewart Tyrell Content warnings: BUNKER contains coarse language, heightened psychological states, haze / smoke effects, loud music, and strobe lighting effects. Recommended for audiences aged 15+. What would you do if you received an alert that your world was ending? Who would you call? Where would you go, and what would you take... Continue Reading →
Review: David Massingham’s Little Sketch Book of Horrors
Image supplied by David Massingham Content warnings: Parental guidance is recommended for audiences aged under 13. David Massingham brought his solo sketch comedy show, Little Sketch Book of Horrors, to Big Fork Theatre just in time for Halloween. Part of the Fringe Brisbane programme, this was classic sketch comedy at its best – a hilarious... Continue Reading →
Review: Shadows of Love: A Triptych (The Curators’ Theatre)
Eleonora Ginardi, photographed by Naz Mulla Content warnings: Shadows of Love: A Triptych contains coarse language and themes including domestic violence and murder. Recommended for audiences aged 15+. The Curators’ Theatre presents a triptych of one-act plays for Fringe Brisbane, featuring stories and song about the dark side of love and marriage, each set against... Continue Reading →
Review: Call Girls (Lauren Harvey and Kelly Hodge)
Content warnings: Call Girls contains coarse language, and parental guidance is recommended for audiences under 15. Lauren Harvey and Kelly Hodge have premiered their wry and relatable workplace comedy Call Girls at Big Fork Theatre as part of the inaugural Fringe Brisbane programme. Written, produced, and performed by Harvey and Hodge, and drawing on their... Continue Reading →
Review: Shakespeare Pick and (re)Mix (Queensland Shakespeare Ensemble)
Angus Thorburn, Leah Fitzgerald-Quinn, Rebekah Schmidt, Dudley Powell & Rob Pensalfini. Image supplied by Queensland Shakespeare Ensemble. Queensland Shakespeare Ensemble brought their trademark energy and enthusiasm to EC Venue for Shakespeare Pick and (re)Mix, part of the inaugural Fringe Brisbane programme, with hilarious results. Following a successful season at Anywhere Festival earlier in the year,... Continue Reading →
Review: Contra Schubert (Contra Concerts & Southern Cross Soloists)
Jonathan Henderson, Vatche Jambazian, Shikara Ringdahl, and Hyung Suk Bae perform Contra Schubert, photographed by Stephen Henry With a programme including Schubert, Sculthorpe, and Ravel, Contra Schubert was an intimate and evocative chamber concert that allowed each piece to be drawn out and savoured. Presented in association with Southern Cross Soloists, Contra Concerts have been... Continue Reading →
Review: Why Young Men Run at 2am (Ad Astra)
The cast of Why Young Men Run at 2am. Imagery supplied by Ad Astra. Content warnings: Why Young Men Run at 2am contains sexual references and coarse language. Why Young Men Run at 2am has made its premiere at Ad Astra in Fortitude Valley, produced by the company’s Astra Nova youth and scriptwriting division. Written... Continue Reading →
Review: Destiny Doomed (Observatory Theatre)
Clarise Ooi as Deirdre and Laura Fois as Blathnaid, photographed by Geoff Lawrence: Creative Futures Photography Content warning: Destiny Doomed contains simulated violence, mature themes, sexual references, mild coarse language, and strobe lighting. Written and directed by Anina-Marie van Wyk, Destiny Doomed is a contemporary reimagining of the Irish folktale Deirdre of the Sorrows, centring... Continue Reading →
Review: Mamma Mia! (Savoyards Musical Comedy Society Inc)
Donna & The Dynamos (L-R, Jacqueline Atherton, Vanessa Wainwright & Natalie Lennox) photographed by Sharyn Hall. Savoyards delivered an ABBA-solutely entertaining night out with their production of Mamma Mia!, directed by Johanna Toia and featuring 50 community theatre performers at the Iona Performing Arts Centre. A jukebox musical featuring 22 of ABBA’s greatest hits, Mamma... Continue Reading →
Review: Batshit (Leah Shelton, Metro Arts & Brisbane Festival)
Leah Shelton, photographed by Joel Devereux Content warning: Batshit refers to mental illness and institutionalised medical treatment. It also contains occasional coarse language, sexual references, haze/smoke effects, loud sounds, bright lighting flashes and strobe lighting effects. Leah Shelton's third solo show, Batshit, made its world premiere at Metro Arts as part of Brisbane Festival 2022,... Continue Reading →
Review: The Human Voice & The Call (Opera Queensland & Brisbane Festival)
Alexandra Flood performs The Human Voice, photographed by Jade Ferguson Content note: The Human Voice & The Call contains coarse language, discussion of drug use and domestic violence, and allusions to suicide. Presented by Opera Queensland and Brisbane Festival in association with Queensland Symphony Orchestra, The Human Voice & The Call is a compelling double... Continue Reading →
Review: Mistero Buffo (Rhum + Clay, Metro Arts & Brisbane Festival)
Julian Spooner in Mistero Buffo. Image credit Luke Forsyth Rhum + Clay’s production of Dario Fo’s controversial solo work, Mistero Buffo, played a sold-out season at Metro Arts for Brisbane Festival 2022, featuring a masterful physical theatre performance by Julian Spooner. With the title loosely translating to The Comic Mysteries, Fo’s provocative piece is a... Continue Reading →