Review: 35MM: A Musical Exhibition (Allentertainment, PIP Theatre & Passion Productions)

Image credit: Kris Anderson / Images by Anderson A collaboration between three local theatre companies, 35MM: A Musical Exhibition showcases an extraordinarily talented cast of Brisbane performers in Ryan Scott Oliver’s unconventional song cycle. Image credit: Kris Anderson / Images by Anderson 35MM: A Musical Exhibition is a sung-through musical anthology of sixteen songs, each... Continue Reading →

Review: Loot (Ad Astra)

(L to R) Liam Hartley, Fiona Kennedy, and Jett Robson in Loot. Ad Astra presents Joe Orton's fast-paced and razor-sharp dark farce Loot, directed by Jennifer Flowers with assistant direction and production management by Liam Wallis. Compulsive truth-teller Hal McLeavey (Jett Robson) and his lover Dennis (Liam Hartley), an undertaker, have robbed a bank and... Continue Reading →

Review: Closer (La Boite Theatre)

Kevin Spink and Sophia Emberson-Bain (front) and Anna McGahan (back), photographed by Stephen Henry La Boite have opened their 2024 season with the return of Patrick Marber's engrossing and entangled drama Closer, directed by La Boite’s Artistic Director Courtney Stewart. Closer weaves a twisted web of deception and desire that ensnares four Londoners over the... Continue Reading →

Review: Banging Denmark (PIP Theatre)

Rijen Laine as Jake and Tegan Braithwaite as Ishtar. Imagery supplied by PIP Theatre. Presented at PIP Theatre, the provocatively-titled Banging Denmark is an anti-rom-com about toxic online communities, the blurry line between attraction and revulsion, and the timeless pursuit of human connection. Written by Australian social commentator Van Badham, the play made its world... Continue Reading →

Review: The Wolves (Ad Astra)

Tainika Kane-Potaka (left, back) as #13, Emily Marszalek (centre back) as #46, Madeline Armit (right, back) as #11, and Sharnee Tones (front) as #25. Image credit: Justin Harrison Ad Astra have kicked off 2024 with Sarah DeLappe’s drama The Wolves, transforming their black box theatre into an indoor soccer pitch where all the guts and... Continue Reading →

Review: The History of the Devil (Polymorphic Productions)

Tiana Varcoe as Pia Shim and Connor Scoble as The Devil, photographed by Emma Stratton Content warnings: coarse/offensive language, horror, mature and controversial themes, morbid humor, references and depictions of sexual assault, religious themes, themes of trauma, violence, haze/smoke effects, and loud noises. Polymorphic Productions presents Clive Barker’s marathon play The History of the Devil... Continue Reading →

Review: IRL (La Boite Theatre)

The cast of IRL, photographed by Morgan Roberts Content warnings: coarse language and sexual references. Recommended for ages 15+. La Boite closes 2023 with the world premiere of Lewis Treston’s fan-tastic romantic comedy IRL, the third and final work in their season of world premieres by Australian playwrights. Directed by Sanja Simić, who has worked... Continue Reading →

Review: Top Girls (Ad Astra)

Written by Caryl Churchill and first performed in 1982, Top Girls follows the lead character of Marlene as she strives for success in a male-dominated workplace. Ad Astra’s production is directed by Mikayla Hosking, with assistant direction by Samara Louise, and stars an excellent ensemble of character actors, led by Aurelie Roque as Marlene. In... Continue Reading →

Review: Bakersfield Mist (Ad Astra)

Steven Grives and Fiona Kennedy in Bakersfield Mist Content warnings: Use of herbal cigarettes, coarse language and sexual references, depictions of violence, mentions of suicide. The California sun is baking inside Ad Astra's black box theatre for Bakersfield Mist. Directed by Jennifer Flowers, the clash of character between Steven Grives’ sophisticated art expert and Fiona... Continue Reading →

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