Review: IRL (La Boite Theatre)

The cast of IRL, photographed by Morgan Roberts Content warnings: coarse language and sexual references. Recommended for ages 15+. La Boite closes 2023 with the world premiere of Lewis Treston’s fan-tastic romantic comedy IRL, the third and final work in their season of world premieres by Australian playwrights. Directed by Sanja Simić, who has worked... Continue Reading →

Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)

Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →

Review: Camerata Cinematheque (Camerata, QPAC & Brisbane Festival)

Camerata - Queensland's Chamber Orchestra perform Stravinsky's Concerto in Re, accompanying Anthony Lucas' short film Housefly, as part of Camerata Cinematheque. Photographed by Alex Jamieson. Camerata – Queensland's Chamber Orchestra closed their 2023 mainstage season with a charming collaboration, featuring bespoke short films set to classical pieces performed live by Camerata’s string musicians. Founded in... Continue Reading →

Review: Salamander (Brisbane Festival & Northshore)

Image credit: Atmosphere Photography The headline show of Brisbane Festival 2023, Salamander brought together contemporary dancers from Brisbane's Australasian Dance Collective with guest artists and international collaborators to produce a multifaceted spectacle on an ambitiously large scale. Lead by director and choreographer Maxine Doyle and renowned designer Es Devlin, Salamander combined dance, song, poetry, and... Continue Reading →

Review: Pallas Sister Rising (theatrePUNK Co)

theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →

Review: Viva Violin (Camerata)

Camerata and Catherina Lee perform Mendelssohn's Violin Concerto in E minor, photographed by Michael Marston. Camerata - Queensland's Chamber Orchestra and QPAC presented a thrilling and evocative concert of music by Mendelssohn and Rossini, Viva Violin, including an electric performance by guest soloist Catherina Lee and the premiere of a new work by Camerata’s 2023... Continue Reading →

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