Julian Curtis and Ashlee Lollback as Cole and Sky. Imagery supplied by Playlab Theatre. Review of preview performance, 31 July 2024 A contemporary Australian Gothic play by Maxine Mellor, Horizon sees young couple Sky and Cole hitting the highway. Sky is on vacation from her high-stress legal job; Cole is returning to his family home... Continue Reading →
Review: The Choir of King’s College, Cambridge (Musica Viva Australia)
The Choir of King's College, Cambridge, conducted by Daniel Hyde. Photographed by James Grant. The sublime voices of the Choir of King’s College came from Cambridge to QPAC as part of their national tour. In their most characteristic formation, the choir accompanied by an organ, the performance was conducted by Director of Music Daniel Hyde.... Continue Reading →
Review: As Told By The Boys Who Fed Me Apples (Lachlan Driscoll)
Riley Finn Anderson as Archibald Jordan and Rob Wainwright as Sandy. Photographed by Geoff Lawrence, Creative Futures Photography Presented in the Holy Trinity Church Hall in Fortitude Valley as part of Anywhere Festival, As Told By The Boys Who Fed Me Apples was a moving story of conflict and companionship, told in a novel way... Continue Reading →
Review: Set Me On Fire (Silent Sky)
Imagery supplied by Silent Sky Set Me On Fire, the premiere work of Silent Sky theatre collective, filled the Backdock Arts theatre with a nostalgia for young love, presented as part of Anywhere Festival 2024. Written by Samara Louise and directed by Cale Dennis, the artistic team behind Silent Sky, Set Me On Fire is... Continue Reading →
Review: Tartuffe (Queensland Shakespeare Ensemble)
Queensland Shakespeare Ensemble bring an infectious joyful energy and their signature lyrical skill and musicality to Molière’s famed satire Tartuffe, directed and choreographed by Rebecca Murphy. First performed at the Palace of Versailles in 1664, Tartuffe offended the Archbishop of Paris and members of the French Catholic Church, who had the play officially censured by... Continue Reading →
Review: Dido and Aeneas (Opera Queensland and Circa)
Anna Dowsley and Sebastian Maclaine as Dido and Aeneas, with the Circa ensemble. Photographed by David Kelly. Opera Queensland and Circa join forces once again for a lustrous new interpretation of Henry Purcell's Baroque opera Dido and Aeneas, bursting with glamour and gravity-defying acrobatics. Purcell's Dido and Aeneas was first performed in 1689, with the... Continue Reading →
Review: Cost of Living (Queensland Theatre & Sydney Theatre Company)
Kate Hood and Philip Quast as Ani and Eddie, photographed by Morgan Roberts The phrase "cost of living" is inescapable at the moment, but that wasn't the case when Martyna Majok's play Cost of Living premiered in 2016. Co-directed by Priscilla Jackman and Dan Daw, who also stars in the work as John, Queensland Theatre... Continue Reading →
Review: Camerata & Karin Schaupp: Serenade
Karin Schaupp performs with Camerata, photographed by Alex Jamieson Camerata – Queensland’s Chamber Orchestra collaborated with classical guitarist Karin Schaupp for Serenade, a strings concert that showcased contemporary Australian work, brought new perspectives to classics, and highlighted emerging Brisbane artists, all threaded through with serenades by Dvořák. Dvořák's Serenade for Strings was sprinkled throughout, beginning... Continue Reading →
Review: Blue (La Boite Theatre)
Thomas Weatherall in Blue, photographed by Farley Ward / Shutterstorm Photography Following a successful premiere season at Sydney's Belvoir Street Theatre in 2023, Thomas Weatherall has brought his affecting one-person show to Brisbane audiences in La Boite's Roundhouse Theatre. Blue is the story of Mark, a young man who has had wave after wave of... Continue Reading →
Review: A Midsummer Night’s Dream (Brisbane Arts Theatre)
Brisbane Arts Theatre bids farewell to its home on Petrie Terrace with a return to its most-performed production: Shakespeare’s fairyland comedy A Midsummer Night's Dream. Brisbane Arts Theatre has been based at the theatre on Petrie Terrace for 70 years, and this 2024 production is the seventh time they have staged A Midsummer Night's Dream.... Continue Reading →
Review: The Norman Mailer Anecdote (Big Scary Animal)
Christopher Sommers as Marshall and Zoë Houghton as Helen, photographed by Stephen Henry Searing domestic drama The Norman Mailer Anecdote has made its world premiere at Queensland Theatre’s Diane Cilento Studio. The playwrighting debut of award-winning local screenwriter Anthony Mullins, The Norman Mailer Anecdote follows one high-achieving Brisbane family over a night of drinking and... Continue Reading →
Review: Dark Vanilla Jungle & Tonight with Donny Stixx (The X Collective)
The X Collective opened their 2024 season with a devastating duet of shattering psyches in Tonight with Donny Stixx and Dark Vanilla Jungle. Wayne McPhee directed these back-to-back Philip Ridley plays, each focused on the experiences and delusions of a traumatised young person and delivered as a deeply engaging monologue. Philip Ridley is an English... Continue Reading →