Cirque du Soleil’s acclaimed production KURIOS – Cabinet of Curiosities was an evening of excitement, enchantment, and unexpected marvels under the Big Top. It was all of the gasp-inducing, awe-inspiring circus I had been told to expect from this world-class company, delivering a joyous sense of wonder and allowing for absolute suspension of disbelief as the... Continue Reading →
Review: Timeless (Queensland Symphony Orchestra)
Queensland Symphony Orchestra farewelled outgoing Music Director Alondra de la Parra and 2019 Artist in Residence Paul Lewis in a spectacular concert that showcased the best of both. In an exciting first for Queensland Symphony Orchestra, the concert was also livestreamed globally via Facebook and to venues across the state, reaching a potential audience of... Continue Reading →
Review: Matrix (Expressions Dance Company & Beijing Dance / LDTX)
Matrix is a collaboration between Expressions Dance Company and Beijing Dance / LDTX, an enthralling double bill of contemporary dance works by acclaimed choreographers Stephanie Lake and MA Bo. Created in only five weeks during a creative development in China, Matrix is performed by the twenty dancers of the two company ensembles, including guest dancer... Continue Reading →
Review: Spring Awakening (Moreton Bay Theatre Company)
Content and trigger warning: Please note that this production contains, and therefore this review refers to, abuse, rape, abortion, incest, suicide, violence, partial nudity, mature themes, and coarse language. This production is not recommended for anyone under fifteen years. Moreton Bay Theatre Company presents Spring Awakening, directed by Pat James with musical direction by Melissa... Continue Reading →
Review: Tyrone and Lesley in a Spot (Metro Arts, Brisbane Festival)
Tyrone and Lesley in a Spot, produced by Metro Arts and playing at The Loft, Theatre Republic as part of Brisbane Festival, defies genre boundaries and is a wonderfully whimsical hour of music, theatre, and comedy suitable for all ages. This is the kind of wonderfully crafted shows that allows you to leave your grown-up... Continue Reading →
Review: Cock (Bosco Productions)
Newly-launched Brisbane theatre company Bosco Productions present a tense and engaging production of Mike Bartlett’s contemporary theatre work Cock, directed by Helen Howard and performed by a talented cast of four. Cock tells the story of John (Julian Curtis), a young man who, while on a break from his long-term boyfriend (Derek Draper) is surprised... Continue Reading →
Review: I Often Find That I Am Naked (Rouge Theatre Company)
Dry humour and dry martinis are served up in Rouge Theatre Company's highly polished first production, directed by Sarah Drew, exploring the dark side of casual dating and the media myth of the modern woman who "has it all". Written by Brisbane artist Fiona Sprott in 1998, I Often Find That I Am Naked is... Continue Reading →
Review: The Telefon (Lightning Bolt Creative)
An uncomfortably unfunny and unnecessarily foul endurance exercise for the audience. If you've ever seen the workings of an unsupervised grade eight drama class, you'll have an idea of what happened on The Telefon. It was an ambitious concept - a livestreamed performance experienced by the audience in the comfort of their own home, interacting... Continue Reading →
Review: Skyward (Republic of Song & Vulcana)
Republic of Song's shimmering, soaring fusion of circus and song will give you goosebumps. Supported by Vulcana, Skyward combined several art forms - song, circus, and photo/videography - into a meditation on mindfulness that is quite cathartic in its beauty. Time lapse photography by Michael Owen was interspersed with song and aerial circus choreography to... Continue Reading →
Review: Heavenly (Queensland Symphony Orchestra)
Queensland Symphony Orchestra kickstarted their 2019 season on February 16 with an evening of otherworldly music from Mozart and Mahler. In place of the pre-concert talk that occurs before most QSO Maestro concerts, Timothy Matthies hosted an in-conversation with Brisbane-based guest soprano Morgan England-Jones, who performed the solo role in Mahler’s fourth symphony later in... Continue Reading →
REVIEW: Soloists and Spontaneity (Queensland Symphony Orchestra)
Alondra de la Parra conducts the Queensland Symphony Orchestra, photographed by Peter Wallis. Queensland Symphony Orchestra, Music Director Alondra de la Parra, and 2018 Artist in Residence Sergio Tiempo thrilled audiences with their incredible passion and artistry in Soloists and Spontaneity, part of QSO’s Maestro series. Dr Simon Perry of the University of Queensland gave... Continue Reading →
REVIEW: Les Misérables (Savoyards Musical Theatre Brisbane)
Photographed by Michelle Thomas, Christopher Thomas Photography Where? Iona Performing Arts Centre, Lindum. When? June 23 – July 7 Brisbane’s oldest continuously running musical theatre company, Savoyards, present the epic and uplifting musical theatre classic Les Misérables at the Iona Performing Arts Centre this June-July, directed by Robbie Parkin and with Geoffrey Secomb as Musical... Continue Reading →