Live like a local – explore like a tourist
Supercell Festival of Contemporary Dance’s Independent Dance Exchange (INDEX) is a platform to support the development and sharing of new dance works in development by local artists, and the INDEX walking tour was a unique and enjoyable way to experience a diverse series of four dance works in one evening, each presented in a different... Continue Reading →
The bowling green becomes a battlefield in Gold Coast based Gogi Dance Collective’s You Don’t Know Jack + Kitty, an homage to lawn bowls and its role in Australian culture and community, performed at New Farm Bowls Club as part of the Supercell Festival of Contemporary Dance. The choreography used the whole space of the... Continue Reading →
Brisbane Immersive Ensemble have turned their expertise for site-specific performance to The Stores building at Brisbane Powerhouse with The Midsummer Carnival, transforming it into a mystical forest and carnival fairground to serve as the backdrop for their rendition of Shakespeare’s comedy A Midsummer Night’s Dream. A Midsummer Night’s Dream focuses on four Athenian lovers -... Continue Reading →
Minola Theatre and Corporation Theatre presented Love Triangle: An evening of one-act plays for one performance only at the Ron Hurley Theatre on January 25, showcasing an ensemble of local talent across three pieces of theatre written in 1913, 2008, and 2019. Helmed by the directors of the two theatre companies, Love Triangle explored themes... Continue Reading →
Cirque du Soleil’s acclaimed production KURIOS – Cabinet of Curiosities was an evening of excitement, enchantment, and unexpected marvels under the Big Top. It was all of the gasp-inducing, awe-inspiring circus I had been told to expect from this world-class company, delivering a joyous sense of wonder and allowing for absolute suspension of disbelief as the... Continue Reading →
Queensland Symphony Orchestra farewelled outgoing Music Director Alondra de la Parra and 2019 Artist in Residence Paul Lewis in a spectacular concert that showcased the best of both. In an exciting first for Queensland Symphony Orchestra, the concert was also livestreamed globally via Facebook and to venues across the state, reaching a potential audience of... Continue Reading →
Matrix is a collaboration between Expressions Dance Company and Beijing Dance / LDTX, an enthralling double bill of contemporary dance works by acclaimed choreographers Stephanie Lake and MA Bo. Created in only five weeks during a creative development in China, Matrix is performed by the twenty dancers of the two company ensembles, including guest dancer... Continue Reading →
Content and trigger warning: Please note that this production contains, and therefore this review refers to, abuse, rape, abortion, incest, suicide, violence, partial nudity, mature themes, and coarse language. This production is not recommended for anyone under fifteen years. Moreton Bay Theatre Company presents Spring Awakening, directed by Pat James with musical direction by Melissa... Continue Reading →
Tyrone and Lesley in a Spot, produced by Metro Arts and playing at The Loft, Theatre Republic as part of Brisbane Festival, defies genre boundaries and is a wonderfully whimsical hour of music, theatre, and comedy suitable for all ages. This is the kind of wonderfully crafted shows that allows you to leave your grown-up... Continue Reading →
Newly-launched Brisbane theatre company Bosco Productions present a tense and engaging production of Mike Bartlett’s contemporary theatre work Cock, directed by Helen Howard and performed by a talented cast of four. Cock tells the story of John (Julian Curtis), a young man who, while on a break from his long-term boyfriend (Derek Draper) is surprised... Continue Reading →
Dry humour and dry martinis are served up in Rouge Theatre Company's highly polished first production, directed by Sarah Drew, exploring the dark side of casual dating and the media myth of the modern woman who "has it all". Written by Brisbane artist Fiona Sprott in 1998, I Often Find That I Am Naked is... Continue Reading →
An uncomfortably unfunny and unnecessarily foul endurance exercise for the audience. If you've ever seen the workings of an unsupervised grade eight drama class, you'll have an idea of what happened on The Telefon. It was an ambitious concept - a livestreamed performance experienced by the audience in the comfort of their own home, interacting... Continue Reading →
