Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →
Review: The Music Man (Savoyards Musical Comedy Society)
The cast of The Music Man (centre - David West as Harold Hill), photographed by Sharyn Hall Savoyards finish their 2023 season with a lively and colourful production of award-winning classic musical The Music Man at the Iona Performing Arts Centre. Savoyards last produced this musical 40 years ago and four cast members from that... Continue Reading →
Review: Stunt Double (The Farm, Screen Queensland, Brisbane Powerhouse & Brisbane Festival)
Content warnings: coarse language, partial nudity, violence, adult themes and sexual references, the use of haze and strobe effects. The Farm flips the script on what a dance theatre work can be with their new production. Stunt Double is packed with action, humour, and unexpected turns as it celebrates the unsung heroes of the Australian... Continue Reading →
Review: Pallas Sister Rising (theatrePUNK Co)
theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →
Review: Top Girls (Ad Astra)
Written by Caryl Churchill and first performed in 1982, Top Girls follows the lead character of Marlene as she strives for success in a male-dominated workplace. Ad Astra’s production is directed by Mikayla Hosking, with assistant direction by Samara Louise, and stars an excellent ensemble of character actors, led by Aurelie Roque as Marlene. In... Continue Reading →
Review: The Father (hARTSpace & PIP Theatre)
Tony Nixon and Janelle Bailey as André and Anne (front), Ophelia Novak as Laura (back). Image credit: Kris Anderson Content Warning: Depictions of dementia, emotional distress, themes of aging and mortality, family conflict, and sensitive language and scene depicting elder abuse. Heartbreaking and beautifully crafted, The Father is a story of love, loss, and caretaking... Continue Reading →
Review: The Turquoise Elephant (Observatory Theatre)
Amanda McErlean and Rebecca Day as Olympia and Basra Macquarie Content warnings: Frequent mentions of climate change, coarse language, sexual references, and use of strobe lighting. Observatory Theatre has opened its 2023 season with a darkly funny political farce about the climate crisis, set in a collapsing world that feels closer every day. Melbourne has... Continue Reading →
Review: Bakersfield Mist (Ad Astra)
Steven Grives and Fiona Kennedy in Bakersfield Mist Content warnings: Use of herbal cigarettes, coarse language and sexual references, depictions of violence, mentions of suicide. The California sun is baking inside Ad Astra's black box theatre for Bakersfield Mist. Directed by Jennifer Flowers, the clash of character between Steven Grives’ sophisticated art expert and Fiona... Continue Reading →
Review: SHE (indelabilityarts, PIP Theatre, The Good Room & Metro Arts)
Content warnings: Discussion of suicide, self-harm, adult content, mild coarse language. Co-directed by Amy Ingram and Catarina Hebbard, with dramaturgy by Katherine Marquet, SHE was a confronting and affecting sharing of women's stories with a focus on mental health and mental illness. The work of three emerging writers – Bianca Saez, Karen Lee Roberts, and... Continue Reading →
Review: Venus in Fur (The X Collective)
Content warning: partial nudity, sexual references, loud noises, strobing light effects, prop weapons. The X Collective presents an electric and engrossing production of David Ives’ Venus in Fur, directed by Wayne McPhee and starring AJ and Nick Sinclair. Power, fantasy, and desire collide in this exploration of interpersonal dynamics, especially as they relate to love, sex,... Continue Reading →
Review: Perfect World (Theatreroo)
Tegan Braithwaite performs in Perfect World. Image supplied. Theatreroo’s "serious political comedy" Perfect World was a musical revue about the geopolitical events that have shaped the first two decades of the twenty-first century, focusing specifically on war and climate change. Written by Clarry Evans and Denny Lawrence, and directed by Lawrence, Perfect World initially premiered... Continue Reading →
Review: A Life in the Theatre (Ad Astra)
Francis McMahon and Jesse Richardson as Robert and John, photographed by Fraser Smith Content warning: Strong coarse language, reference to self harm Ad Astra have opened their 2023 season with David Mamet's comedy A Life in the Theatre, directed by Pierce Gordon with Assistant Director Caitlin Hill. A punchy two-handed comedy that focuses on the... Continue Reading →