Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)

Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →

Review: Pallas Sister Rising (theatrePUNK Co)

theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →

Review: Top Girls (Ad Astra)

Written by Caryl Churchill and first performed in 1982, Top Girls follows the lead character of Marlene as she strives for success in a male-dominated workplace. Ad Astra’s production is directed by Mikayla Hosking, with assistant direction by Samara Louise, and stars an excellent ensemble of character actors, led by Aurelie Roque as Marlene. In... Continue Reading →

Review: The Father (hARTSpace & PIP Theatre)

Tony Nixon and Janelle Bailey as André and Anne (front), Ophelia Novak as Laura (back). Image credit: Kris Anderson Content Warning: Depictions of dementia, emotional distress, themes of aging and mortality, family conflict, and sensitive language and scene depicting elder abuse. Heartbreaking and beautifully crafted, The Father is a story of love, loss, and caretaking... Continue Reading →

Review: The Turquoise Elephant (Observatory Theatre)

Amanda McErlean and Rebecca Day as Olympia and Basra Macquarie Content warnings: Frequent mentions of climate change, coarse language, sexual references, and use of strobe lighting. Observatory Theatre has opened its 2023 season with a darkly funny political farce about the climate crisis, set in a collapsing world that feels closer every day. Melbourne has... Continue Reading →

Review: Bakersfield Mist (Ad Astra)

Steven Grives and Fiona Kennedy in Bakersfield Mist Content warnings: Use of herbal cigarettes, coarse language and sexual references, depictions of violence, mentions of suicide. The California sun is baking inside Ad Astra's black box theatre for Bakersfield Mist. Directed by Jennifer Flowers, the clash of character between Steven Grives’ sophisticated art expert and Fiona... Continue Reading →

Review: Venus in Fur (The X Collective)

Content warning: partial nudity, sexual references, loud noises, strobing light effects, prop weapons. The X Collective presents an electric and engrossing production of David Ives’ Venus in Fur, directed by Wayne McPhee and starring AJ and Nick Sinclair. Power, fantasy, and desire collide in this exploration of interpersonal dynamics, especially as they relate to love, sex,... Continue Reading →

Review: Perfect World (Theatreroo)

Tegan Braithwaite performs in Perfect World. Image supplied. Theatreroo’s "serious political comedy" Perfect World was a musical revue about the geopolitical events that have shaped the first two decades of the twenty-first century, focusing specifically on war and climate change. Written by Clarry Evans and Denny Lawrence, and directed by Lawrence, Perfect World initially premiered... Continue Reading →

Review: A Life in the Theatre (Ad Astra)

Francis McMahon and Jesse Richardson as Robert and John, photographed by Fraser Smith Content warning: Strong coarse language, reference to self harm Ad Astra have opened their 2023 season with David Mamet's comedy A Life in the Theatre, directed by Pierce Gordon with Assistant Director Caitlin Hill. A punchy two-handed comedy that focuses on the... Continue Reading →

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