Review: Octopolis (Observatory Theatre & PIP Theatre)

Caroline Sparrow and Dudley Powell, photographed by Geoff Lawrence - Creative Futures Photography Octopolis is a two-handed drama about academics and an octopus trying to co-exist in close quarters, bubbling with intellectual, emotional, and existential tensions. Written by UK playwright Marek Horn and first produced in 2023 at Hampstead Theatre, this co-production between Observatory Theatre... Continue Reading →

Review: Blue (Australasian Dance Collective)

Sam Hall, Riannon McLean, and Lily Potger (front) in Natalie Weir's When Time Stops, photographed by David Kelly Australasian Dance Collective celebrated their 40th anniversary with a triple bill of contemporary dance works that honoured the company's heritage and looked to its future, showcasing the versatility and strength of the company’s artists in an outstanding... Continue Reading →

Review: La Cenerentola (Opera Queensland)

Mara Gaudenzi as Angelina/Cinderella and Petr Nekoranec as the Prince, Don Ramiro, photographed by Jade Ellis Opera Queensland’s La Cenerentola burst into bloom on the QPAC Concert Hall stage as part of the second Brisbane Bel Canto festival. Directed and designed by Laura Hansford, with Assistant Director Eugene Lynch, this semi-staged version of the Cinderella tale... Continue Reading →

Review: Mud (Salad Days Collective & PIP Theatre)

Alex O'Connell as Henry, Jasmine Prasser as Mae, and George Oates as Lloyd, photographed by Karina Abassii Sweetness and cruelty, domesticity and animalism collide in Mud, a play about poverty and power presented by Salad Days Collective at PIP Theatre in Milton. Mae spends her days working to support herself and Lloyd, her not-brother and... Continue Reading →

Review: Dreams & Stories (Queensland Symphony Orchestra)

William Barton performing with Queensland Symphony Orchestra, conducted by Katharina Wincor. Photographed by Darren Thomas. Queensland Symphony Orchestra’s Dreams & Stories concert brought together an interesting range of pieces and composers, from guest soloist William Barton to John Williams, Sculthorpe, Mendelssohn, and Stravinsky. Part of the orchestra’s Music on Sundays series, Dreams & Stories was... Continue Reading →

Review: Love Lies Bleeding (Ad Astra)

Carla Haynes, Helen Howard, and Greg Gesch, photographed by Barbara Lowing Ad Astra end their 2024 season with a poignant and thought-provoking drama asking big questions about life, death, and the space in between. Written by American novelist and playwright Don DeLillo, who also directed the 2005 premiere production at Boise Contemporary Theater, Love Lies... Continue Reading →

Review: Cleansed (The X Collective)

Cast of The X Collective's Cleansed Content note: Please be advised this production contains, and this review refers to, simulations of drug use, extreme sexual & physical violence, incest, and suicide. The X Collective close their 2024 season with Sarah Kane's confronting and brutal play Cleansed. Directed by Wayne McPhee, with assistant direction and design by... Continue Reading →

Review: AI May (Embodi Theatre & PIP Theatre)

Clarise Ooi, photographed by Naz Mulla Embodi Theatre has premiered a new bilingual play at PIP Theatre, exploring the intersections of human emotion and artificial intelligence. Written and directed by Amy Chien-Yu Wang, with dramaturgy by Helen Strube, AI May is a bittersweet story of loss and love centred on the tensions between an immigrant... Continue Reading →

Review: Adrift (Counterpilot, Metro Arts & Brisbane Festival)

Audience of Adrift, photographed by Morgan Roberts Counterpilot brought their oceanic participatory theatre experience Adrift back to Metro Arts as part of Brisbane Festival, submerging audiences in the storytelling through audio-based instruction and immersion. Before entering the theatre, we were each fitted with an individual wristband, headphones, and a vest. Voices whispered in the headphones,... Continue Reading →

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