Content warning: partial nudity, sexual references, loud noises, strobing light effects, prop weapons. The X Collective presents an electric and engrossing production of David Ives’ Venus in Fur, directed by Wayne McPhee and starring AJ and Nick Sinclair. Power, fantasy, and desire collide in this exploration of interpersonal dynamics, especially as they relate to love, sex,... Continue Reading →
Review: Ode to Joy (Queensland Symphony Orchestra)
Umberto Clerici conducts Queensland Symphony Orchestra and Brisbane Chamber Choir in Beethoven's ninth symphony, photographed by Sarah Marshall Queensland Symphony Orchestra’s first Maestro concert of the year, and their first with Umberto Clerici formally appointed as Chief Conductor, Ode to Joy had three performances at the QPAC Concert Hall. Featuring a program of Beethoven and... Continue Reading →
Review: Bloom Girl (MeOhMy)
Charli Burrowes as Bloom Girl Multidisciplinary artist Charli Burrowes has christened the Talbot Theatre, part of the newly renovated Thomas Dixon Centre in West End, with her debut theatre show Bloom Girl. An 80-minute solo show written, performed, and co-produced by Burrowes and directed by Elise Lamb, Bloom Girl tackles social media, authenticity, and the... Continue Reading →
Review: The Boys (PIP Theatre)
Samuel Valentine, Stephen Geronimos, and Aidan O'Donnell Review of 12 October performance Content warnings: Violence, partial nudity, strong coarse language, offensive language, scenes of binge drinking/alcohol consumption, ableism, adult themes, murder, and discussion of physical and sexual violence. PIP Theatre presented Gordon Graham’s haunting suburban drama The Boys in October, directed by Cienda McNamara. Drawing... Continue Reading →
Review: White Rabbit, Red Rabbit (The X Collective)
Content warning: White Rabbit, Red Rabbit, contains coarse language and references to violence and suicide. In October, The X Collective presented the intriguing avant-garde theatrical experiment White Rabbit, Red Rabbit at Fate Container Studios in West End. Written by Iranian playwright Nassim Soleimanpour, its key point of interest is not in the script, but in... Continue Reading →
Review: The Normal Heart (Ad Astra)
Gregory J Wilken & Felix Jarvis as Ned Weeks & Felix Turner in Ad Astra's production of The Normal Heart. Image supplied. Content warnings: The Normal Heart contains coloured, flashing lights and blackouts, loud music, loud voices, coarse language, adult themes, and strong themes of homophobia, illness, death, and grief. Ad Astra close their 2022... Continue Reading →
Review: BUNKER (Metro Arts)
Image credit: Stewart Tyrell Content warnings: BUNKER contains coarse language, heightened psychological states, haze / smoke effects, loud music, and strobe lighting effects. Recommended for audiences aged 15+. What would you do if you received an alert that your world was ending? Who would you call? Where would you go, and what would you take... Continue Reading →
Review: David Massingham’s Little Sketch Book of Horrors
Image supplied by David Massingham Content warnings: Parental guidance is recommended for audiences aged under 13. David Massingham brought his solo sketch comedy show, Little Sketch Book of Horrors, to Big Fork Theatre just in time for Halloween. Part of the Fringe Brisbane programme, this was classic sketch comedy at its best – a hilarious... Continue Reading →
Review: Shadows of Love: A Triptych (The Curators’ Theatre)
Eleonora Ginardi, photographed by Naz Mulla Content warnings: Shadows of Love: A Triptych contains coarse language and themes including domestic violence and murder. Recommended for audiences aged 15+. The Curators’ Theatre presents a triptych of one-act plays for Fringe Brisbane, featuring stories and song about the dark side of love and marriage, each set against... Continue Reading →
Review: Call Girls (Lauren Harvey and Kelly Hodge)
Content warnings: Call Girls contains coarse language, and parental guidance is recommended for audiences under 15. Lauren Harvey and Kelly Hodge have premiered their wry and relatable workplace comedy Call Girls at Big Fork Theatre as part of the inaugural Fringe Brisbane programme. Written, produced, and performed by Harvey and Hodge, and drawing on their... Continue Reading →
Review: Why Young Men Run at 2am (Ad Astra)
The cast of Why Young Men Run at 2am. Imagery supplied by Ad Astra. Content warnings: Why Young Men Run at 2am contains sexual references and coarse language. Why Young Men Run at 2am has made its premiere at Ad Astra in Fortitude Valley, produced by the company’s Astra Nova youth and scriptwriting division. Written... Continue Reading →
Review: Destiny Doomed (Observatory Theatre)
Clarise Ooi as Deirdre and Laura Fois as Blathnaid, photographed by Geoff Lawrence: Creative Futures Photography Content warning: Destiny Doomed contains simulated violence, mature themes, sexual references, mild coarse language, and strobe lighting. Written and directed by Anina-Marie van Wyk, Destiny Doomed is a contemporary reimagining of the Irish folktale Deirdre of the Sorrows, centring... Continue Reading →