Original Australian company, photographed by Jeff Busby Tony and Olivier award-winning musical Come From Away has opened in Brisbane, bringing the packed Lyric Theatre to its feet for a spirited standing ovation. Come From Away is an upbeat and uplifting musical that reminds us of the best bits of our humanity. Directed by Christopher Ashley and choreographed... Continue Reading →
Review: Bigger & Blacker (La Boite Theatre, Sydney Opera House & W Lance Reynolds)
Photography by Morgan Roberts Steven Oliver’s whirlwind cabaret Bigger & Blacker is sexy, irreverent, and hysterical, as expected, but also deeply personal and moving as he sings about love, loss, and life. Photography by Morgan Roberts Steven Oliver cements himself further as a man of a million talents with this world premiere, a cabaret show... Continue Reading →
Review: Lorelei (Opera Queensland)
Image credit: Jade Ferguson @visualpoetssociety. Provided by Opera Queensland. Content and trigger warning: This production contains strong coarse language and adult themes. After being postponed for a year due to COVID-19, Lorelei has finally made it to the QPAC Concert Hall and it is a witty, provocative, political work of operatic cabaret that turns a... Continue Reading →
Review: The Revolutionists (The Curators’ Theatre)
Lauren Roche as Charlotte Corday in The Revolutionists. Images: NAZ MULLA. Content and trigger warning: This production contains coarse language, and spoken references to historical violence. The Curators’ Theatre have opened their 2021 season with the Australian premiere of The Revolutionists by American playwright Lauren Gunderson. Directed and designed by Michael Beh, this metatheatrical dramatic... Continue Reading →
Review: Beethoven’s Emperor (Queensland Symphony Orchestra)
QSO Conductor Laureate Johannes Fritzsch and pianist Daniel de Borah. Photographed by Peter Wallis. It was a delight to be able to return QPAC’s Concert Hall on Friday night for Queensland Symphony Orchestra’s stirring final Maestro concert of 2020 - Beethoven’s Emperor. As well as being the 2020 season finale, this concert marks the end... Continue Reading →
Review: You Don’t Know Jack + Kitty (Gogi Dance Collective)
The bowling green becomes a battlefield in Gold Coast based Gogi Dance Collective’s You Don’t Know Jack + Kitty, an homage to lawn bowls and its role in Australian culture and community, performed at New Farm Bowls Club as part of the Supercell Festival of Contemporary Dance. The choreography used the whole space of the... Continue Reading →
Review: Matrix (Expressions Dance Company & Beijing Dance / LDTX)
Matrix is a collaboration between Expressions Dance Company and Beijing Dance / LDTX, an enthralling double bill of contemporary dance works by acclaimed choreographers Stephanie Lake and MA Bo. Created in only five weeks during a creative development in China, Matrix is performed by the twenty dancers of the two company ensembles, including guest dancer... Continue Reading →
Review: The Boy From Oz (Savoyards Musical Comedy Society Inc)
Savoyards present The Boy From Oz, directed by Miranda Selwood; a musical biography of Australian entertainer Peter Allen led by the man himself, celebrating the highs and lows of his life through a cabaret catalogue of his greatest hits. Originally produced by Ben Gannon and Robert Fox, with book by Nick Enright (and music and... Continue Reading →
Review: Cock (Bosco Productions)
Newly-launched Brisbane theatre company Bosco Productions present a tense and engaging production of Mike Bartlett’s contemporary theatre work Cock, directed by Helen Howard and performed by a talented cast of four. Cock tells the story of John (Julian Curtis), a young man who, while on a break from his long-term boyfriend (Derek Draper) is surprised... Continue Reading →
Review: Storm Boy (Queensland Theatre)
A co-production between Queensland Theatre and Melbourne Theatre Company in association with Dead Puppet Society, Storm Boy brings Colin Thiele’s classic Australian coming-of-age novel to the stage in a poignant and awe-inspiring production that will thrill audiences young and old. Directed by Sam Strong and adapted for the stage by Tom Holloway, Queensland Theatre’s Storm... Continue Reading →
Review: I Often Find That I Am Naked (Rouge Theatre Company)
Dry humour and dry martinis are served up in Rouge Theatre Company's highly polished first production, directed by Sarah Drew, exploring the dark side of casual dating and the media myth of the modern woman who "has it all". Written by Brisbane artist Fiona Sprott in 1998, I Often Find That I Am Naked is... Continue Reading →
Review: The Telefon (Lightning Bolt Creative)
An uncomfortably unfunny and unnecessarily foul endurance exercise for the audience. If you've ever seen the workings of an unsupervised grade eight drama class, you'll have an idea of what happened on The Telefon. It was an ambitious concept - a livestreamed performance experienced by the audience in the comfort of their own home, interacting... Continue Reading →