Review: The History of the Devil (Polymorphic Productions)

Tiana Varcoe as Pia Shim and Connor Scoble as The Devil, photographed by Emma Stratton Content warnings: coarse/offensive language, horror, mature and controversial themes, morbid humor, references and depictions of sexual assault, religious themes, themes of trauma, violence, haze/smoke effects, and loud noises. Polymorphic Productions presents Clive Barker’s marathon play The History of the Devil... Continue Reading →

Review: The Amateurs (Ad Astra)

The cast of The Amateurs at Ad Astra, photographed by Christopher Sharman Life, death, art, and the search for purpose twist together in Jordan Harrison's compelling tragic comedy The Amateurs, directed by Susan O’Toole Cridland and superbly performed at Ad Astra. Written by American playwright Jordan Harrison, The Amateurs premiered off-Broadway in 2018 and made... Continue Reading →

Review: PASHUN (theatrePUNK Co)

Naticia Slade, Zara Chandler, and Cullyn Beckton as Emma, Tiff, and Kai Presented by theatrePUNK Co at BackDock Arts, Harrison Mills' PASHUN was an absurd and amusing theatre piece about a group of young people navigating love, sex, friends, and relationships. Directed by Joshua Price, with dramaturgy by El Waddingham, PASHUN used a university poetry... Continue Reading →

Review: Halcyon (Australasian Dance Collective)

Lily Potger, photographed by David Kelly Australasian Dance Collective (ADC) has premiered Halcyon, a new contemporary dance work by Jack Lister, at the Brisbane Powerhouse for a limited season. Seeking to immerse the audience in a stylistic realm of intrigue and glamour, Halcyon drew inspiration from crime noir and the golden age of Hollywood and... Continue Reading →

Review: The Making of Pinocchio (Brisbane Festival, Brisbane Powerhouse & Screen Queensland)

Rosana Cade & Ivor MacAskill perform The Making of Pinocchio, photographed by Yousef Iskandar, Hamburg 2022 Content warnings: adult themes, full frontal nudity, coarse language, sexual references, depictions of sex acts, discussions of lived trans experiences. The Making of Pinocchio had its world premiere as part of the 2022 London International Festival of Theatre but... Continue Reading →

Review: Camerata Cinematheque (Camerata, QPAC & Brisbane Festival)

Camerata - Queensland's Chamber Orchestra perform Stravinsky's Concerto in Re, accompanying Anthony Lucas' short film Housefly, as part of Camerata Cinematheque. Photographed by Alex Jamieson. Camerata – Queensland's Chamber Orchestra closed their 2023 mainstage season with a charming collaboration, featuring bespoke short films set to classical pieces performed live by Camerata’s string musicians. Founded in... Continue Reading →

Review: Pallas Sister Rising (theatrePUNK Co)

theatrePUNK Co presented Grace Wilson's contemporary take on the myth of Pallas and Athena, Pallas Sister Rising, at BackDock Arts in Fortitude Valley. Wilson's poetic script casts the two young goddesses as (presumably mortal) housemates in a toxic friendship. In a version of the original myth closest to Wilson’s interpretation, Athena (daughter of Zeus) and... Continue Reading →

Review: The Planets (Queensland Symphony Orchestra)

Shiyeon Sung conducts Queensland Symphony Orchestra, photographed by Sarah Marshall Queensland Symphony Orchestra was joined by guest soprano Sara Macliver, The Australian Voices, and trailblazing South Korean conductor Shiyeon Sung for this concert, showcasing works by Wagner and Golijov alongside Gustav Holst’s celestial suite The Planets. The concert began with Richard Wagner's overture to his... Continue Reading →

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