Review: Banging Denmark (PIP Theatre)

Rijen Laine as Jake and Tegan Braithwaite as Ishtar. Imagery supplied by PIP Theatre. Presented at PIP Theatre, the provocatively-titled Banging Denmark is an anti-rom-com about toxic online communities, the blurry line between attraction and revulsion, and the timeless pursuit of human connection. Written by Australian social commentator Van Badham, the play made its world... Continue Reading →

Review: The Wolves (Ad Astra)

Tainika Kane-Potaka (left, back) as #13, Emily Marszalek (centre back) as #46, Madeline Armit (right, back) as #11, and Sharnee Tones (front) as #25. Image credit: Justin Harrison Ad Astra have kicked off 2024 with Sarah DeLappe’s drama The Wolves, transforming their black box theatre into an indoor soccer pitch where all the guts and... Continue Reading →

Review: Pygmalion (Minola Theatre)

Bianca Butler Reynolds and Ben Snaith as Eliza Doolittle and Professor Henry Higgins, photographed by Kris Anderson (Images by Anderson) Minola Theatre presents George Bernard Shaw’s classic tale of class and culture, Pygmalion, as their first production of 2024, directed by Kat Dekker. First performed in 1913, the play takes its title from the Greek... Continue Reading →

Review: Micro Masterpieces (Queensland Symphony Orchestra)

Umberto Clerici conducts the Queensland Symphony Orchestra, photographed by Darren Thomas Queensland Symphony Orchestra closed the 2023 season with their tenth and final Maestro concert, featuring a program of musical works under half an hour each, from Classical heavyweights Rossini, Mozart, Schubert, and Prokofiev. Conducted by QSO Chief Conductor Umberto Clerici, Micro Masterpieces began with... Continue Reading →

Review: Heartland Classics (Queensland Symphony Orchestra)

Otto Trausk conducts the Queensland Symphony Orchestra, photographed by Stephen Stewart Queensland Symphony Orchestra curated a program of “life affirming music” for their ninth Maestro concert of 2023, Heartland Classics, including works by renowned composers from Central Europe: Kodály, Mendelssohn, and Dvořák. Heartland Classics was conducted by Dutch conductor and Music Director of Vancouver Symphony... Continue Reading →

Review: Beethoven and Elgar (Queensland Symphony Orchestra)

Guest soloist, pianist Jayson Gillham, and guest conductor Joseph Swensen with Queensland Symphony Orchestra, photographed by Joel Tronoff As the name suggests, Queensland Symphony Orchestra presented two concerts featuring works by Ludwig Van Beethoven and Sir Edward Elgar in July. Guest conductor Joseph Swensen led the orchestra with dynamism and large, forceful gestures, and acclaimed... Continue Reading →

Review: Checked Out (Inscape Assembly)

Content warnings: Discussions of abortion and emotional abuse, coarse language, sexual references Inscape Assembly premiered a brilliant new full-length musical, Checked Out, at the Merthyr Uniting Church in New Farm for a limited season. Directed by Haley Meekan, with assistant direction by Mak Harris, Checked Out followed the overworked and underpaid employees of Greenmart Grocers... Continue Reading →

Review: Magnificent Piano (Queensland Symphony Orchestra)

Sergio Tiempo and the Queensland Symphony Orchestra, photographed by Sarah Marshall For their aptly named Magnificent Piano Maestro concert, Queensland Symphony Orchestra welcomed back former Artist in Residence, Venezuelan-Argentine pianist Sergio Tiempo, to perform Grieg’s piano concerto. Tiempo played the brand new, one-of-a-kind Steinway & Sons Grand piano that QSO have been fundraising for since... Continue Reading →

Review: Leave to Enter (Nick Robertson)

Melbourne-based comedian Nick Robertson brought his stand-up show Leave to Enter to his hometown of Brisbane for one night only, performed in the Good Chat Comedy Club on Petrie Terrace. Making his solo stand-up debut, Leave to Enter was driven by the story of Robertson being refused entry to the United Kingdom; a paperwork issue... Continue Reading →

Review: The New World (Southern Cross Soloists)

Southern Cross Soloists perform with guest artist John Jorgenson (front, centre) and SXS Didgeridoo Artist in Residence Chris Williams (front, far right), photographed by Darren Thomas Southern Cross Soloists closed the year with a vibrant concert that promised audiences a journey to The New World – the name that European colonists applied to the Americas... Continue Reading →

Review: Ebenezer (Brisbane Arts Theatre)

John Grey as Ebenezer Scrooge & Dominic Tennison as the ghost of Jacob Marley Brisbane Arts Theatre present a hearty new retelling of Charles Dickens’ A Christmas Carol, adapted and directed by Tallulah M.E. Grey, with John Grey, who also plays the lead role. We were guided to our seats by an usher holding a... Continue Reading →

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