Review: Blue (La Boite Theatre)

Thomas Weatherall in Blue, photographed by Farley Ward / Shutterstorm Photography Following a successful premiere season at Sydney's Belvoir Street Theatre in 2023, Thomas Weatherall has brought his affecting one-person show to Brisbane audiences in La Boite's Roundhouse Theatre. Blue is the story of Mark, a young man who has had wave after wave of... Continue Reading →

Review: Esmé Quartet

Esmé Quartet, photographed by Tony McDonough Touring Australia for the first time, Berlin-based string ensemble Esmé Quartet made their Brisbane debut with a concert that revolved thematically around youth and passion, performed for one night only at the Conservatorium Theatre in South Bank. This is the ninth year of the Esmé Quartet, which is comprised... Continue Reading →

Review: The Norman Mailer Anecdote (Big Scary Animal)

Christopher Sommers as Marshall and Zoë Houghton as Helen, photographed by Stephen Henry Searing domestic drama The Norman Mailer Anecdote has made its world premiere at Queensland Theatre’s Diane Cilento Studio. The playwrighting debut of award-winning local screenwriter Anthony Mullins, The Norman Mailer Anecdote follows one high-achieving Brisbane family over a night of drinking and... Continue Reading →

Review: 35MM: A Musical Exhibition (Allentertainment, PIP Theatre & Passion Productions)

Image credit: Kris Anderson / Images by Anderson A collaboration between three local theatre companies, 35MM: A Musical Exhibition showcases an extraordinarily talented cast of Brisbane performers in Ryan Scott Oliver’s unconventional song cycle. Image credit: Kris Anderson / Images by Anderson 35MM: A Musical Exhibition is a sung-through musical anthology of sixteen songs, each... Continue Reading →

Review: Lucia di Lammermoor (Opera Queensland)

Jessica Pratt as Lucia, photographed by Murray Summerville Presented as part of Opera Queensland’s inaugural Brisbane Bel Canto festival, Lucia di Lammermoor is a pared-back production that serves to showcase the astonishing virtuosity of starring soprano Jessica Pratt. Lucia di Lammermoor is a three-act tragic opera by Italian composer Gaetano Donizetti. The Italian libretto was... Continue Reading →

Review: Loot (Ad Astra)

(L to R) Liam Hartley, Fiona Kennedy, and Jett Robson in Loot. Ad Astra presents Joe Orton's fast-paced and razor-sharp dark farce Loot, directed by Jennifer Flowers with assistant direction and production management by Liam Wallis. Compulsive truth-teller Hal McLeavey (Jett Robson) and his lover Dennis (Liam Hartley), an undertaker, have robbed a bank and... Continue Reading →

Review: Closer (La Boite Theatre)

Kevin Spink and Sophia Emberson-Bain (front) and Anna McGahan (back), photographed by Stephen Henry La Boite have opened their 2024 season with the return of Patrick Marber's engrossing and entangled drama Closer, directed by La Boite’s Artistic Director Courtney Stewart. Closer weaves a twisted web of deception and desire that ensnares four Londoners over the... Continue Reading →

Review: Divine Alchemy (Southern Cross Soloists)

Southern Cross Soloists' Divine Alchemy, photographed by Darren Thomas Southern Cross Soloists (SXS) opened 2024 with Divine Alchemy, a concert full of strong emotional imagery and a program inspired by the transfiguration of suffering into beautiful art. Alongside classical composers like Mozart, Bach, and Debussy, Divine Alchemy included a number of premieres honouring loved ones... Continue Reading →

Review: Big Yikes! (Playlab Theatre)

Juliette Milne as Lorrie/Loxie, photographed by Stephen Henry Emerging playwright Madeleine Border's play Big Yikes! made its world premiere at the Brisbane Powerhouse, presented by Playlab Theatre and directed by Playlab Artistic Director Ian Lawson. A play about coming of age and finding your feet in adulthood, Big Yikes! included some excellent comedy and commentary... Continue Reading →

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