Republic of Song's shimmering, soaring fusion of circus and song will give you goosebumps. Supported by Vulcana, Skyward combined several art forms - song, circus, and photo/videography - into a meditation on mindfulness that is quite cathartic in its beauty. Time lapse photography by Michael Owen was interspersed with song and aerial circus choreography to... Continue Reading →
Review: In Bloom (Underground Productions)
Tales of lost love, treasured memories, and poetic musings on the world we live in, set among cool greenery and the sound of running water. In Bloom is a series of monologues and spoken word poems about art, sex, and nature, created from anonymous submissions and performed by five women among the trailing green leaves and... Continue Reading →
Review: The Last Night of the Proms (Queensland Symphony Orchestra)
Tally ho! Saturday night was our first time at Queensland Symphony Orchestra’s annual The Last Night of the Proms event. Both the stage and audience were adorned in Union Jack and Australian flags for an evening of Australian and British orchestral music, a tribute to the eight-week season of daily orchestral classical music concerts at... Continue Reading →
Review: Barbara and the Camp Dogs (Queensland Theatre with Belvoir & Vicki Gordon Music Productions)
Barbara and the Camp Dogs is a fierce, fresh, and vital new musical which examines family tensions and loyalty, and questions of personal and national identity through raging rock and beautiful ballads. Following a powerful opening song, the audience meet Barbara and René – cousins raised together in Katherine by René’s mother Jill, and now... Continue Reading →
Review: Cluedo! The Interactive Game (Brisbane Immersive Ensemble)
Cluedo! The Interactive Game 17 April – 25 May, 2019 Baedeker Wine Bar, Fortitude Valley $79 (without dinner package) / $109 (with dinner package) + booking fee Was it Professor Plum, in the Drawing Room, with the Candlestick? Or Miss Scarlett, in the Conservatory, with the Revolver? The classic board game Cluedo comes to life... Continue Reading →
Review: Dreamscapes (Queensland Symphony Orchestra)
Queensland Symphony Orchestra performed a diverse series of three works in their latest Maestro concert, Dreamscapes, aweing audiences with their energised and synchronised performance. The transportive evening of music was also broadcast live on the ABC. Guest conductor Jaime Martín was funny, warm, and generous with the audience, taking time before Symphonie Fantastique to speak... Continue Reading →
Review: Dangerous Liaisons (Queensland Ballet)
We went to see Queensland Ballet’s hotly-anticipated Dangerous Liaisons – a brand-new, full-length, world premiere ballet by acclaimed choreographer and QB Artistic Associate Liam Scarlett. The season has concluded now, but I had such a jumble of feelings about the production that it has taken me this long to sort them out and write a... Continue Reading →
Review: Hydra (Queensland Theatre)
Queensland Theatre’s first world premiere of 2019 was Hydra charting the flight and fall of Australian literati couple George Johnston and Charmian Clift as they tried to carve out a bohemian lifestyle for themselves in the 1950s on the remote Greek island of the same name. There, they come face-to-face with the many-headed beast of... Continue Reading →
Review: Single Asian Female (La Boite Theatre Company)
La Boite Theatre Company began their 2019 season by welcoming audiences back into The Golden Phoenix for Michelle Law’s Single Asian Female. Pearl is the long-suffering matriarch of the Wong family; intelligent, driven, and occasionally overbearing as she juggles running her Sunshine Coast restaurant with the mothering of her daughters Zoe (manoeuvring online dating and... Continue Reading →
Review: Heavenly (Queensland Symphony Orchestra)
Queensland Symphony Orchestra kickstarted their 2019 season on February 16 with an evening of otherworldly music from Mozart and Mahler. In place of the pre-concert talk that occurs before most QSO Maestro concerts, Timothy Matthies hosted an in-conversation with Brisbane-based guest soprano Morgan England-Jones, who performed the solo role in Mahler’s fourth symphony later in... Continue Reading →
REVIEW: Two Man Tarantino (Christopher Wayne & Brisbane Powerhouse)
Christopher Wayne, co-creator of The Naked Magicians, has written an hour-long love letter to the blood, gore, and quirks of Quentin Tarantino’s films, and it makes for a really fun night at the theatre. Presented with Brisbane Powerhouse as part of Wonderland Festival 2018 and directed by Maureen Bowra, Two Man Tarantino is set in... Continue Reading →
REVIEW: Alondra Conducts Mahler 3 (Queensland Symphony Orchestra)
Alondra de la Parra conducts Queensland Symphony Orchestra. Photographed by Peter Wallis. Queensland Symphony Orchestra’s Alondra Conducts Mahler 3 was exactly, wonderfully that – Music Director Alondra de la Parra conducted the QSO, as well as guest mezzo-soprano Lilli Paasikivi and the Women’s and Children’s Chorus from Voices of Birralee, in a spectacular performance... Continue Reading →