Review: Skyward (Republic of Song & Vulcana)

Republic of Song's shimmering, soaring fusion of circus and song will give you goosebumps. Supported by Vulcana, Skyward combined several art forms - song, circus, and photo/videography - into a meditation on mindfulness that is quite cathartic in its beauty. Time lapse photography by Michael Owen was interspersed with song and aerial circus choreography to... Continue Reading →

Review: In Bloom (Underground Productions)

Tales of lost love, treasured memories, and poetic musings on the world we live in, set among cool greenery and the sound of running water. In Bloom is a series of monologues and spoken word poems about art, sex, and nature, created from anonymous submissions and performed by five women among the trailing green leaves and... Continue Reading →

Review: Dreamscapes (Queensland Symphony Orchestra)

Queensland Symphony Orchestra performed a diverse series of three works in their latest Maestro concert, Dreamscapes, aweing audiences with their energised and synchronised performance. The transportive evening of music was also broadcast live on the ABC. Guest conductor Jaime Martín was funny, warm, and generous with the audience, taking time before Symphonie Fantastique to speak... Continue Reading →

Review: Dangerous Liaisons (Queensland Ballet)

We went to see Queensland Ballet’s hotly-anticipated Dangerous Liaisons – a brand-new, full-length, world premiere ballet by acclaimed choreographer and QB Artistic Associate Liam Scarlett. The season has concluded now, but I had such a jumble of feelings about the production that it has taken me this long to sort them out and write a... Continue Reading →

Review: Hydra (Queensland Theatre)

Queensland Theatre’s first world premiere of 2019 was Hydra charting the flight and fall of Australian literati couple George Johnston and Charmian Clift as they tried to carve out a bohemian lifestyle for themselves in the 1950s on the remote Greek island of the same name. There, they come face-to-face with the many-headed beast of... Continue Reading →

Review: Single Asian Female (La Boite Theatre Company)

La Boite Theatre Company began their 2019 season by welcoming audiences back into The Golden Phoenix for Michelle Law’s Single Asian Female. Pearl is the long-suffering matriarch of the Wong family; intelligent, driven, and occasionally overbearing as she juggles running her Sunshine Coast restaurant with the mothering of her daughters Zoe (manoeuvring online dating and... Continue Reading →

Review: Heavenly (Queensland Symphony Orchestra)

Queensland Symphony Orchestra kickstarted their 2019 season on February 16 with an evening of otherworldly music from Mozart and Mahler. In place of the pre-concert talk that occurs before most QSO Maestro concerts, Timothy Matthies hosted an in-conversation with Brisbane-based guest soprano Morgan England-Jones, who performed the solo role in Mahler’s fourth symphony later in... Continue Reading →

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