Takács Quartet with Angie Milliken, photographed by Cameron Jamieson Takács Quartet with Angie Milliken toured Australia’s major cities throughout August, celebrating 80 years of Musica Viva Australia and 50 years of the Budapest-founded, Colorado-based Takács Quartet. The concert included a brand-new work by Cathy Milliken for narrator and string quartet, inspired by the poetry of... Continue Reading →
Review: La bohème (Opera Queensland, Brisbane Festival & QPAC)
Elena Perroni and Valerio Borgioni as Mimì and Rodolfo, photographed by Steph Do Rozario Opera Queensland presented a stunning, fully staged production of Puccini’s beloved opera La bohème in QPAC’s Lyric Theatre as part of Brisbane Festival 2025. La bohème was first performed at Turin’s Teatro Regio in 1896, composed by Giacomo Puccini between 1893... Continue Reading →
Review: The Platypus (Soft Tread Enterprises, Brisbane Festival)
Rebecca Bower and John Leary in The Platypus, photographed by Mark Gambino Francis Greenslade’s The Platypus is a metatheatrical two-hander that puts a genre-hopping spin on the kitchen sink drama. Jessica and Richard’s marriage is crumbling. Richard is healing from a vasectomy, and resents Jess for suggesting it. Jess feels unwanted, and seeks excitement in... Continue Reading →
Review: Gems (L.A. Dance Project, Brisbane Festival, QPAC, TEQ & BEDA)
On the Other Side, photographed by Jade Ellis Inspired by the three-part classical ballet work Jewels, which was created for the New York City Ballet by its co-founder George Balanchine in 1967, Gems is a trilogy of contemporary dance works by French dancer, choreographer, and founder of the L.A. Dance project Benjamin Millepied. In an... Continue Reading →
Review: Dance Nation (THAT Production Company)
Image credit: Kenn Santos THAT Production Company brought Clare Barron’s Dance Nation to Metro Arts, a powerfully, truthfully complex coming-of-age story framed by the trials and triumphs of a troupe of teenaged dancers. Directed by Timothy Wynn, with assistant direction and choreography by Jennifer B Ashley, Dance Nation follows a group of young people on... Continue Reading →
Review: A Midsummer Night’s Dream (Queensland Shakespeare Ensemble & PIP Theatre)
Image credit: Benjamin Prindable Photography Lose yourself in the enchanted forest of A Midsummer Night's Dream, brought to life with music, mischief, and magic by the Queensland Shakespeare Ensemble. In this Shakespearean comedy, four young lovers find themselves in the forest outside of Athens – Hermia loves Lysander (reimagined in this production as Lysandra) but... Continue Reading →
Review: The Dragon Queen of Argos (The Curators’ Theatre)
Rainee Skinner as Clytemnestra, photographed by Michael Beh Presented by The Curators’ Theatre, The Dragon Queen of Argos sets the stage ablaze as it tells an ancient story of vengeance with magnetic new energy. Written, directed, and designed by Michael Beh, with dramaturgy by Maureen Todhunter, The Dragon Queen of Argos is the second in... Continue Reading →
Review: Accidental Death of an Anarchist (PIP Theatre)
(L to R) Dana Summer, Izabela Wasilewska, Rebel Star, Deidre Grace, Isaiah Harrison, and Greg Scurr (front), photographed by Jade Ellis PIP Theatre's Queensland-flavoured production of Dario Fo's Accidental Death of an Anarchist, adapted from the translation by Ed Emery, turns the force of Fo’s ferocious wit onto local history. Accidental Death of an Anarchist... Continue Reading →
Review: She Works Hard For (No) Money (Backyard Flamingo)
Carla Haynes and Ellen Hardisty, photographed by Laura Fois Presented as part of Anywhere Festival Brisbane, Samantha Hill's She Works Hard for (No) Money was a clever and comedic exploration of gendered expectations surrounding unpaid labour and the mental load. Written and produced by Hill, the play moved through a series of vignettes that approached... Continue Reading →
Review: The Dead Devils of Cockle Creek (Cut & Run Productions)
(L to R) Matthew Filkins, Jett Robson, and Michaela Faux, photographed by Jasmine Prasser Thought-provoking and violently funny, Cut & Run Productions made their debut with Kathryn Marquet's environmentalist black comedy The Dead Devils of Cockle Creek at PIP Theatre. In an isolated location in a Tasmanian national park, Dr Georgina Templeton has been working... Continue Reading →
Review: Come From Away (Savoyards Musical Comedy Society Inc)
Photography by Sharyn Hall Savoyards' production of Come From Away brings infectious energy and emotion to this story about human kindness and connection enduring in unimaginable circumstances. Come From Away tells the story of a tiny town on the island of Newfoundland, Canada, which hosted 7000 unexpected visitors on September 11, 2001, when planes were... Continue Reading →
Review: Blushing (Zen Zen Zo)
Image credit: Georgia Haupt Zen Zen Zo's Blushing is a moving and immersive work of physical theatre, exploring the emotional side of physical touch with a focus on the duelling forces of shame and curiosity. Directed and designed by Zen Zen Zo Artistic Director Indiah Morris, Blushing was a promenade performance by eight artists in... Continue Reading →