Brisbane Immersive Ensemble have turned their expertise for site-specific performance to The Stores building at Brisbane Powerhouse with The Midsummer Carnival, transforming it into a mystical forest and carnival fairground to serve as the backdrop for their rendition of Shakespeare’s comedy A Midsummer Night’s Dream. A Midsummer Night’s Dream focuses on four Athenian lovers -... Continue Reading →
Review: Love Triangle: An evening of one-act plays (Minola Theatre and Corporation Theatre)
Minola Theatre and Corporation Theatre presented Love Triangle: An evening of one-act plays for one performance only at the Ron Hurley Theatre on January 25, showcasing an ensemble of local talent across three pieces of theatre written in 1913, 2008, and 2019. Helmed by the directors of the two theatre companies, Love Triangle explored themes... Continue Reading →
Review: KURIOS – Cabinet of Curiosities (Cirque du Soleil)
Cirque du Soleil’s acclaimed production KURIOS – Cabinet of Curiosities was an evening of excitement, enchantment, and unexpected marvels under the Big Top. It was all of the gasp-inducing, awe-inspiring circus I had been told to expect from this world-class company, delivering a joyous sense of wonder and allowing for absolute suspension of disbelief as the... Continue Reading →
Review: The Tragedy of Socrates (Queensland Shakespeare Ensemble)
Queensland Shakespeare Ensemble continued their commitment to supporting new Queensland works of theatre in presenting a staged reading of The Tragedy of Socrates, a play in development by playwright, musician, and QSE Core Ensemble actor Silvan Rus. Five years after the surrender of ancient Athens in the cataclysmic Peloponnesian War, Athenian philosopher Socrates is charged... Continue Reading →
Review: Timeless (Queensland Symphony Orchestra)
Queensland Symphony Orchestra farewelled outgoing Music Director Alondra de la Parra and 2019 Artist in Residence Paul Lewis in a spectacular concert that showcased the best of both. In an exciting first for Queensland Symphony Orchestra, the concert was also livestreamed globally via Facebook and to venues across the state, reaching a potential audience of... Continue Reading →
Review: The 8 Reindeer Monologues (The Drama Merchant)
Content and trigger warning: This production contains or refers to, and therefore this review refers to, sexual harassment and abuse, rape, paedophilia, homophobic and ableist slurs, mature themes, and coarse language. The Drama Merchant presents The 8 Reindeer Monologues, a dark Christmas drama with moments of humour by Jeff Goode. The play is presented in... Continue Reading →
Review: Christmas Actually (The Little Red Company & La Boite)
Christmas is all around at La Boite with their current season of the raucous and touching cabaret-style Christmas Actually by The Little Red Company. Created by Naomi Price and Adam Brunes, the show features all of the songs from the iconic soundtrack of British romcom Love Actually as well as incorporating some of the film's... Continue Reading →
Review: Matrix (Expressions Dance Company & Beijing Dance / LDTX)
Matrix is a collaboration between Expressions Dance Company and Beijing Dance / LDTX, an enthralling double bill of contemporary dance works by acclaimed choreographers Stephanie Lake and MA Bo. Created in only five weeks during a creative development in China, Matrix is performed by the twenty dancers of the two company ensembles, including guest dancer... Continue Reading →
Review: Spring Awakening (Moreton Bay Theatre Company)
Content and trigger warning: Please note that this production contains, and therefore this review refers to, abuse, rape, abortion, incest, suicide, violence, partial nudity, mature themes, and coarse language. This production is not recommended for anyone under fifteen years. Moreton Bay Theatre Company presents Spring Awakening, directed by Pat James with musical direction by Melissa... Continue Reading →
Review: Tchaikovsky and Beethoven (Queensland Symphony Orchestra)
Queensland Symphony Orchestra gave an impressive performance last Friday night with Tchaikovsky and Beethoven, delivering an outstanding concert despite a last-minute change of conductor and concert schedule. The pre-concert talk was delivered by QSO Marketing and Publications Coordinator Celia Casey, having recently completed her PhD in Musicology at the University of Queensland and who wrote... Continue Reading →
Review: Orpheus & Eurydice (Opera Queensland & Circa)
Opera Queensland and Circa take audiences to hell and back in their striking, visceral production of Orpheus and Eurydice. In Greek mythology, Orpheus is a legendary musician, endowed with such skill that all living things, and even stones, were charmed by his music. The most well-known of the myths surrounding Orpheus is the one which... Continue Reading →
Review: X-Stacy (Mira Ball Productions & Trent Sellars as Salad Bowl Collective)
Salad Bowl Collective presented an emotionally charged production of X-Stacy at the Ron Hurley Theatre, produced by Mira Ball Productions and Trent Sellars and directed by Elodie Boal - an Australian coming-of-age classic about family, grief, dance club culture, and looking out for your mates that remains relevant two decades after it was first performed.... Continue Reading →