Julian Spooner in Mistero Buffo. Image credit Luke Forsyth Rhum + Clay’s production of Dario Fo’s controversial solo work, Mistero Buffo, played a sold-out season at Metro Arts for Brisbane Festival 2022, featuring a masterful physical theatre performance by Julian Spooner. With the title loosely translating to The Comic Mysteries, Fo’s provocative piece is a... Continue Reading →
Review: Guttered (Restless Dance Theatre, Brisbane Festival, and CPL – Choice Passion Life)
Photo credit Roy Vandervegt Guttered was an original and entertaining piece of site-specific contemporary dance theatre, performed in a Chermside bowling alley as part of Brisbane Festival 2022. Based in Adelaide, Restless Dance Theatre define themselves as Australia’s leading creator of dance theatre by dancers with and without disability. Guttered explored love and life through... Continue Reading →
Review: Marvin’s Room (Ad Astra)
Fiona Kennedy as Bessie and Elise Lamb as Lee, photographed by Christopher Sharman Ad Astra’s production of Marvin’s Room balanced domestic drama with laugh-out-loud humour as it explored aging, illness, obligation, and care in its many forms. Directed by Roslyn Johnson, Ad Astra’s production of Scott McPherson’s award-winning 1990 play captured the stifling domesticity of... Continue Reading →
Review: Tiddas (La Boite Theatre, Queensland Performing Arts Centre and Brisbane Festival)
Louise Brehmer, Shakira Clanton, Phoebe Grainer, Chenoa Deemal and Anna McMahon. Photographed by Farley Ward. Content note: Tiddas includes coarse language, sexual references, themes of pregnancy / infertility, grief and loss, marriage breakdown, depictions of abuse (alcohol/emotional) and discussions with or containing offensive/derogatory language. La Boite close their 2022 season with the joyful, jacaranda-hued play... Continue Reading →
Review, Slow Boat (Brisbane Festival, Brisbane Powerhouse & Playlab Theatre)
Silvan Rus, Julian Wong, Ming Yang Lim, Jonathan Chan, and Egan Sun-Bin, photographed by Stephen Henry. Content note: Slow Boat includes low level coarse language, depictions of suicide, depictions of war, racial slurs, references to violence, haze/smoke effects, and loud sounds. Anna Yen’s Slow Boat has made its world premiere at the Brisbane Powerhouse, directed... Continue Reading →
Review: The Rover (Queensland Shakespeare Ensemble)
Dudley Powell as Willmore and Matt Gaffney as Don Antonio. Image credit: Benjamin Prindable Photography. Content note: The Rover includes mature themes, including sexual assault and simulated violence. Mischief, masks, and mistaken identities abound in Queensland Shakespeare Ensemble's production of Aphra Behn’s The Rover (or, The Banish’d Cavaliers), directed by Rebecca Murphy. Playing out at... Continue Reading →
Review: Letters to Lindy (Villanova Players)
Jane Binstead as Lindy Chamberlain-Creighton, photographed by Christopher Sharman Content note: Letters to Lindy contains coarse language and mature themes, including references to death and violence. In 1980, nine-week-old Azaria Chamberlain died when she was taken from the family tent by a dingo while camping at Uluru; her disappearance, and the phrase “a dingo stole... Continue Reading →
Review: Cruel Intentions: The 90’s Musical (David Venn Enterprises)
The cast of Cruel Intentions: The 90's Musical, photographed by Nicole Cleary. Content note: Cruel Intentions: The 90’s Musical includes strobe lighting, haze, smoke, coarse language, and adult themes. Patrons must be 16 years or older to attend, and patrons under 18 years of age must be accompanied by a parent or guardian. A jukebox... Continue Reading →
Review: and now we wait (Villanova Players)
Beth Allen and Ashleigh Horsfield, photographed by Christopher Sharman Photography Content note: and now we wait includes mature themes, including references to death and violence. Villanova Players presented Stephanie Clark's dark drama and now we wait at the Ron Hurley Theatre as part of their Villanova Start-Ups initiative, which is designed to help young people... Continue Reading →
Review: THREE 2.0 (Australasian Dance Collective)
Australasian Dance Collective artists perform Cass Mortimer Eipper’s Limbic. Photographed by David Kelly. After the season was postponed earlier in the year due to flood damage at QPAC, Australasian Dance Collective opened their second iteration of THREE at the Brisbane Powerhouse, a triple bill of new works from three different choreographers, all created in collaboration... Continue Reading →
Review: The Ugly One (AllEntertainment)
Cast of The Ugly One David Gaffney (top), Ellie Waddingham, David O’Donoghoe, and Jai Selva. Image supplied. AllEntertainment presented German playwright Marius von Mayenburg's social satire The Ugly One, translated by Maja Zade, at Brisbane’s newest theatre venue. Fast-paced and funny, the one-act play was delivered with earnest absurdity by the cast of four, directed... Continue Reading →
Review: Studio Sessions 3 (Queensland Symphony Orchestra)
Johannes Fritzsch conducts Queensland Symphony Orchestra for Studio Sessions 3. Photographed by Peter Wallis. Queensland Symphony Orchestra's Studio Sessions provide a more intimate concert experience, where individual instruments and artists can shine, and Studio Sessions 3 included works by Beethoven, Mozart, and Australian composer and violist Brett Dean. Johannes Fritzsch conducts Queensland Symphony Orchestra for... Continue Reading →